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Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III

Includes bibliographical references.

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Bibliographic Details
Main Author: Mahashe, George
Other Authors: Skotnes, Pippa
Format: Thesis
Language:English
Published: Michaelis School of Fine Art 2015
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access_status_str Open Access
author Mahashe, George
author2 Skotnes, Pippa
author_browse Mahashe, George
Skotnes, Pippa
author_facet Skotnes, Pippa
Mahashe, George
author_sort Mahashe, George
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/14569
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:18.917Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/14569 Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III Mahashe, George Skotnes, Pippa Hamilton, Carolyn Fine Art Includes bibliographical references. How, and in what ways, might a visually - and artistically - inclined person gain knowledge from a body of ethnographic photographic objects? I approach this question by launching an inquiry into the Balobedu of Limpopo province, South Africa as masters of myth - making, the 1930s anthropologists as masters of perception and myth transmission, the camera as a mechanical tool that has no master and the photographic image and object as a slippery abstract, or thing, that resists taming. What binds Balobedu, anthropologists and photography in this relationship is their collaboration at particular points in time in the production of the knowledge that is now Khelobedu. Khelobedu refers to all knowledge, custom, practices and culture emanating from Bolobedu and its people. To do this, I assume, or play with, the character of ' motshwara marapo ' (keeper of the bones or master of ceremonies), a versed person who officiates in ceremonies involving multiple custodies, doing so by reciting stories and enacting activities that facilitate progress within ceremonies and rituals. My engagement explores the process of pacifying a disavowed ethnographic archive using the performative aspect of the photographic object's materiality with the aim of gaining knowledge of the indigenous and colonial, using concepts with origins in both categories 2015-10-30T10:48:24Z 2015-10-30T10:48:24Z 2012 Master Thesis Masters MFA http://hdl.handle.net/11427/14569 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town
spellingShingle Fine Art
Mahashe, George
Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III
thesis_degree_str Master's
title Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III
title_full Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III
title_fullStr Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III
title_full_unstemmed Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III
title_short Dithugula tša Malefokana: paying libation in the photographic archive made by anthropologists E.J. & J.D. Krige in 1930s Bolobedu, under Queen Modjadji III
title_sort dithugula ta a malefokana paying libation in the photographic archive made by anthropologists e j j d krige in 1930s bolobedu under queen modjadji iii
topic Fine Art
url http://hdl.handle.net/11427/14569
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