Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel

Includes bibliographical references (p. 92-98).

Saved in:
Bibliographic Details
Main Author: Johannes, Shaun
Other Authors: Bruinders, Sylvia
Format: Thesis
Language:English
Published: College of Music 2015
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613163663392768
access_status_str Open Access
author Johannes, Shaun
author2 Bruinders, Sylvia
author_browse Bruinders, Sylvia
Johannes, Shaun
author_facet Bruinders, Sylvia
Johannes, Shaun
author_sort Johannes, Shaun
collection Thesis
description Includes bibliographical references (p. 92-98).
format Thesis
id oai:open.uct.ac.za:11427/14739
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:31:47.142Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher College of Music
publisherStr College of Music
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/14739 Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel Johannes, Shaun Bruinders, Sylvia Music Includes bibliographical references (p. 92-98). As a bassist from Cape Town, I feel the necessity to investigate, analyze and document the bassists of years gone by who have been major contributors towards the advancement and conceptualization of the Cape Town and, more largely, South African bass-playing fraternity. Unfortunately several bassists have passed away prior to the commencement of this thesis. Two of these bassists are Sammy Maritz and Johnny Gertze who both performed with Abdullah Ibrahim (previously known as Dollar Brand). Therefore the motivation for this thesis is to capture the contributions of two bassists who are still alive and actively working in the South African music industry that are based in Cape Town, namely Gary Kriel and Spencer Mbadu. While there have been other bassists in Cape Town like Basil Moses, Charles Lazar and Philly Schilder who also have made contributions to the music industry and more so the bass playing fraternity in Cape Town, I feel that the contributions made by Mr Kriel and Mr Mbadu have a far greater significance for the reasons I outline below. 2015-11-08T05:06:43Z 2015-11-08T05:06:43Z 2010 Master Thesis Masters MMus http://hdl.handle.net/11427/14739 eng application/pdf College of Music Faculty of Humanities University of Cape Town
spellingShingle Music
Johannes, Shaun
Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel
thesis_degree_str Master's
title Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel
title_full Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel
title_fullStr Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel
title_full_unstemmed Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel
title_short Bassists of iKapa (the Cape) : a brief analysis of the development of the bass guitar in the musical genres of Mbaqanga and Ghoema in Cape Town, South Africa with a focus on the biographies and techniques of two of Cape Town's most prolific bassists, Spencer Mbadu and Gary Kriel
title_sort bassists of ikapa the cape a brief analysis of the development of the bass guitar in the musical genres of mbaqanga and ghoema in cape town south africa with a focus on the biographies and techniques of two of cape town s most prolific bassists spencer mbadu and gary kriel
topic Music
url http://hdl.handle.net/11427/14739
work_keys_str_mv AT johannesshaun bassistsofikapathecapeabriefanalysisofthedevelopmentofthebassguitarinthemusicalgenresofmbaqangaandghoemaincapetownsouthafricawithafocusonthebiographiesandtechniquesoftwoofcapetownsmostprolificbassistsspencermbaduandgarykriel