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Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons
Summary in English.
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| Format: | Thesis |
| Language: | English |
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Department of English Language and Literature
2016
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| _version_ | 1867614419019628544 |
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| access_status_str | Open Access |
| author | Baderoon, Gabeba |
| author2 | Bertelsen, Eve |
| author_browse | Baderoon, Gabeba Bertelsen, Eve |
| author_facet | Bertelsen, Eve Baderoon, Gabeba |
| author_sort | Baderoon, Gabeba |
| collection | Thesis |
| description | Summary in English. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/18257 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:51:44.369Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2016 |
| publishDateRange | 2016 |
| publishDateSort | 2016 |
| publisher | Department of English Language and Literature |
| publisherStr | Department of English Language and Literature |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/18257 Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons Baderoon, Gabeba Bertelsen, Eve Literary Studies Summary in English. Bibliography: p. [181]-195. Contemporary life is distinguished by a massive capacity for exchanging information. Increasingly comprehensive, global communication networks allow discrete realities to be linked. These prolific sources of representation generate a "membrane" of mediation, and a formal regime of fragmentation, depthlessness and allusiveness (Chambers, 11). These economic, epistemological and aesthetic conditions constitute postmodernism. This dissertation addresses the theoretical challenge of form by attempting to craft an approach commensurate to such semiotic density (Wollen, 65). Since formalist approaches have been criticised as ahistorical, attention is given to the concept's social dimensions hence the history and production context of communication technology is considered. The inquiry also acknowledges the specificities of its location. The matrix of unfamiliar allusions which characterises the South African experience of American texts, embodies the multi-tiered allusiveness of postmodernist texts. It also illustrates the cult precept that quotation can be appreciated even when its source is not recognized. Cult theorises viewership as active yet ambivalent (Eco, 1988, 454). The initial chapter delineates parameters in postmodernism, narrative, genre and cult theory. Subsequent chapters examine three postmodernist television series: Moonlighting, a detective series, Twin Peaks, a soap opera, and The Simpsons, an animated sitcom. Deploying parody, self-reflexivity and intertextuality, each has a complex relation with genre. Tony Bennett conceives of the latter as zones of sociality which constitute and are constituted by other zones (105). Changes in genre therefore articulate changes in modes of thinking and inscribe different reading strategies. 2016-03-28T14:29:28Z 2016-03-28T14:29:28Z 1995 Master Thesis Masters MA http://hdl.handle.net/11427/18257 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town |
| spellingShingle | Literary Studies Baderoon, Gabeba Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons |
| thesis_degree_str | Master's |
| title | Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons |
| title_full | Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons |
| title_fullStr | Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons |
| title_full_unstemmed | Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons |
| title_short | Viewing postmodernist television : Moonlighting, Twin Peaks and The Simpsons |
| title_sort | viewing postmodernist television moonlighting twin peaks and the simpsons |
| topic | Literary Studies |
| url | http://hdl.handle.net/11427/18257 |
| work_keys_str_mv | AT baderoongabeba viewingpostmodernisttelevisionmoonlightingtwinpeaksandthesimpsons |