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Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy

Includes bibliographical references (pages 249-292).

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Bibliographic Details
Main Author: England, Frank Ernest
Other Authors: Wanamaker, Charles A
Format: Thesis
Language:English
Published: Department of Religious Studies 2016
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access_status_str Open Access
author England, Frank Ernest
author2 Wanamaker, Charles A
author_browse England, Frank Ernest
Wanamaker, Charles A
author_facet Wanamaker, Charles A
England, Frank Ernest
author_sort England, Frank Ernest
collection Thesis
description Includes bibliographical references (pages 249-292).
format Thesis
id oai:open.uct.ac.za:11427/18313
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:31:28.055Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
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publisher Department of Religious Studies
publisherStr Department of Religious Studies
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/18313 Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy England, Frank Ernest Wanamaker, Charles A Religious Studies Includes bibliographical references (pages 249-292). Recently, a number of scholars (Bilezikian, 1977; Hooker, 1991; Botha, 1993; Shiner, 2003; Dewey, 2004; Fast, 2005; Byrskog, 2006; Holland, 2007) have alluded to, or highlighted, the dramatic nature of, and the performative possibilities in, the Gospel of Mark. Their comments and explorations are appropriated as the basis for engaging in a theoretical work that seeks to establish both why and how the Gospel of Mark may be read as a dramatic text, and, consequently, to suggest a manner in which to dramatize this account of the Gospel of Mark. The task is undertaken with Michel Foucault and Aristotle as the guides, and, significantly, with Foucault as the interpretive guide to the processes of forming Aristotle's treatise on drama. It endeavours, first, to emphasise the physically inscriptive power of texts (why the Gospel of Mark may be performative); second, to demonstrate the diverse and complex processes which form the specific discourse of the Poetics by Aristotle, and to foreground some of its central interpretive protocols (how the Gospel of Mark may be read as a drama); and, finally, informed by the body-power of texts and employing certain of the Aristotelian protocols, to venture an approach to the Gospel of Mark as an Aristotelian tragedy, and one that may possess a contemporary relevance. 2016-03-28T14:41:26Z 2016-03-28T14:41:26Z 2010 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/18313 eng application/pdf Department of Religious Studies Faculty of Humanities University of Cape Town
spellingShingle Religious Studies
England, Frank Ernest
Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy
thesis_degree_str Doctoral
title Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy
title_full Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy
title_fullStr Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy
title_full_unstemmed Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy
title_short Mark as drama : a prolegomenon to reading the Gospel of Mark as an Aristotelian tragedy
title_sort mark as drama a prolegomenon to reading the gospel of mark as an aristotelian tragedy
topic Religious Studies
url http://hdl.handle.net/11427/18313
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