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"The advancement of art" : policy and practice at the South African National Gallery, 1940-1962

Includes bibliographical references (pages 125-138).

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Bibliographic Details
Main Author: Lilla, Qanita
Other Authors: Mager, Anne
Format: Thesis
Language:English
Published: Michaelis School of Fine Art 2016
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access_status_str Open Access
author Lilla, Qanita
author2 Mager, Anne
author_browse Lilla, Qanita
Mager, Anne
author_facet Mager, Anne
Lilla, Qanita
author_sort Lilla, Qanita
collection Thesis
description Includes bibliographical references (pages 125-138).
format Thesis
id oai:open.uct.ac.za:11427/18426
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:47:56.017Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/18426 "The advancement of art" : policy and practice at the South African National Gallery, 1940-1962 Lilla, Qanita Mager, Anne Art History Includes bibliographical references (pages 125-138). This thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. Drawing on newspaper reports, the South African National Gallery's exhibition catalogues, pamphlets and annual reports, records of parliamentary debate and the crucial report of the Stratford Commission of 1948 the study has reconstructed a detailed history of the South African National Gallery. Established in 1871 as a colonial museum catering for a small part of the settler population of British descent, the museum came under pressure to accommodate the Afrikaner community after 1948. This did not mean that the liberal ethos at the museum disappeared, however. The South African National Gallery was strongly influenced by public pressure in this period. Public outrage over controversial art sales in 1947 led to the appointment of a commission of enquiry into the workings of the museum. At the same time, the head of the Board of Trustees, Cecil Sibbett, engaged the public on matters of Modern art. The museum's conservative and controversial Director, Edward Roworth was replaced in 1949 by John Paris who ushered in a new phase of development and management, encouraged the reconceptualization of South African art and reorganized the permanent collection. This initiative took place despite decreased autonomy for the Director and increased government imposition of Afrikaner Nationalist ideology. Nevertheless, the South African National Gallery avoided becoming a political instrument of the Apartheid regime. 2016-03-30T14:50:08Z 2016-03-30T14:50:08Z 2004 Master Thesis Masters MA http://hdl.handle.net/11427/18426 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town
spellingShingle Art History
Lilla, Qanita
"The advancement of art" : policy and practice at the South African National Gallery, 1940-1962
thesis_degree_str Master's
title "The advancement of art" : policy and practice at the South African National Gallery, 1940-1962
title_full "The advancement of art" : policy and practice at the South African National Gallery, 1940-1962
title_fullStr "The advancement of art" : policy and practice at the South African National Gallery, 1940-1962
title_full_unstemmed "The advancement of art" : policy and practice at the South African National Gallery, 1940-1962
title_short "The advancement of art" : policy and practice at the South African National Gallery, 1940-1962
title_sort the advancement of art policy and practice at the south african national gallery 1940 1962
topic Art History
url http://hdl.handle.net/11427/18426
work_keys_str_mv AT lillaqanita theadvancementofartpolicyandpracticeatthesouthafricannationalgallery19401962