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Problems of representation and representativeness in Ngugi wa Thiong'o's fiction

Using a nexus of discourse theory, the French Feminism of Helene Cixous and the deconstructive Marxist Feminism of Gayatri Spivak, this work examines the production of the sign 'woman' in Ngugi wa Thiong'o's fiction. I locate Ngugi's semiotics of the feminine in the conflicting discursive formations...

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Main Author: Nicholls, Brendon Lindley
Other Authors: Fincham, Gail
Format: Thesis
Language:English
Published: Department of English Language and Literature 2016
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access_status_str Open Access
author Nicholls, Brendon Lindley
author2 Fincham, Gail
author_browse Fincham, Gail
Nicholls, Brendon Lindley
author_facet Fincham, Gail
Nicholls, Brendon Lindley
author_sort Nicholls, Brendon Lindley
collection Thesis
description Using a nexus of discourse theory, the French Feminism of Helene Cixous and the deconstructive Marxist Feminism of Gayatri Spivak, this work examines the production of the sign 'woman' in Ngugi wa Thiong'o's fiction. I locate Ngugi's semiotics of the feminine in the conflicting discursive formations of two historical junctures of Kenyan resistance to colonial rule (the female circumcision debate and the Mau Mau insurgency) , in which 'woman' is mobilized as a metaphor for the Kenyan social matrix by Gikuyu nationalist/traditionalist discourses. Following Spivak, I find in female circumcision a metonym of the silencing of the subaltern woman as an agency in insurgency. Ngugi's silencing of the historical struggles of Kenyan women obtains in his association of the female characters (or 'mothers') with the land throughout his fiction. The women in Ngugi's narratives are thus located outside of an historical present, inasmuch as they represent either an idyllic past (prior to the colonial incursion) or an harmonious future utopia. Further, Ngugi' s gender representations enable the political vision of his novels and contradict the socio-political convictions which he has elaborated outside of his fiction. By refusing to engage the vestiges of the Gikuyu patriarchy, Ngugi consolidates his privileged position within the Kenyan elite and proclaims to represent worker/peasant constituency transparently. Reading 'against the grain' of the later novels, I iocate in the prostitute or 'fallen woman' a figure which unsettles the economy of gender difference constituted by Ngugi's patriarchal master-narrative, and which therefore disrupts Ngugi' s androcentric historiography. Bibliography: pages 208-213.
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publishDate 2016
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spelling oai:open.uct.ac.za:11427/18706 Problems of representation and representativeness in Ngugi wa Thiong'o's fiction Nicholls, Brendon Lindley Fincham, Gail English Language and Literature Using a nexus of discourse theory, the French Feminism of Helene Cixous and the deconstructive Marxist Feminism of Gayatri Spivak, this work examines the production of the sign 'woman' in Ngugi wa Thiong'o's fiction. I locate Ngugi's semiotics of the feminine in the conflicting discursive formations of two historical junctures of Kenyan resistance to colonial rule (the female circumcision debate and the Mau Mau insurgency) , in which 'woman' is mobilized as a metaphor for the Kenyan social matrix by Gikuyu nationalist/traditionalist discourses. Following Spivak, I find in female circumcision a metonym of the silencing of the subaltern woman as an agency in insurgency. Ngugi's silencing of the historical struggles of Kenyan women obtains in his association of the female characters (or 'mothers') with the land throughout his fiction. The women in Ngugi's narratives are thus located outside of an historical present, inasmuch as they represent either an idyllic past (prior to the colonial incursion) or an harmonious future utopia. Further, Ngugi' s gender representations enable the political vision of his novels and contradict the socio-political convictions which he has elaborated outside of his fiction. By refusing to engage the vestiges of the Gikuyu patriarchy, Ngugi consolidates his privileged position within the Kenyan elite and proclaims to represent worker/peasant constituency transparently. Reading 'against the grain' of the later novels, I iocate in the prostitute or 'fallen woman' a figure which unsettles the economy of gender difference constituted by Ngugi's patriarchal master-narrative, and which therefore disrupts Ngugi' s androcentric historiography. Bibliography: pages 208-213. 2016-04-07T14:35:39Z 2016-04-07T14:35:39Z 1997 Master Thesis Masters MA http://hdl.handle.net/11427/18706 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Language and Literature
Nicholls, Brendon Lindley
Problems of representation and representativeness in Ngugi wa Thiong'o's fiction
thesis_degree_str Master's
title Problems of representation and representativeness in Ngugi wa Thiong'o's fiction
title_full Problems of representation and representativeness in Ngugi wa Thiong'o's fiction
title_fullStr Problems of representation and representativeness in Ngugi wa Thiong'o's fiction
title_full_unstemmed Problems of representation and representativeness in Ngugi wa Thiong'o's fiction
title_short Problems of representation and representativeness in Ngugi wa Thiong'o's fiction
title_sort problems of representation and representativeness in ngugi wa thiong o s fiction
topic English Language and Literature
url http://hdl.handle.net/11427/18706
work_keys_str_mv AT nichollsbrendonlindley problemsofrepresentationandrepresentativenessinngugiwathiongosfiction