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The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM

Includes bibliographical references. .

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Main Author: Mhlambi, Thokozani Ndumiso
Format: Thesis
Language:English
Published: African Studies 2016
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access_status_str Open Access
author Mhlambi, Thokozani Ndumiso
author_browse Mhlambi, Thokozani Ndumiso
author_facet Mhlambi, Thokozani Ndumiso
author_sort Mhlambi, Thokozani Ndumiso
collection Thesis
description Includes bibliographical references. .
format Thesis
id oai:open.uct.ac.za:11427/18999
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:47:56.120Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publisher African Studies
publisherStr African Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/18999 The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM Mhlambi, Thokozani Ndumiso Public Culture (African Studies) Includes bibliographical references. . The history of black radio in South Africa demonstrates the legacy of colonialism, but also exhibits the performance of novel identities in the 'modem' state. In this dissertation I look at the early years of black radio in South Africa circa 1940-1944, focussing primarily on the Zulu language service. The service was originally broadcasted on the Afrikaans and English radio stations in South Africa. It was 3 minutes in length at its inception in 1940 and was gradually extended to 30 minutes by September of 1942. Based on the collection of archival material and newspaper clippings I look at three colonial figures that were active in the early years of native radio, namely: Hugh Tracey, who was the initiator of broadcasts in Zulu, K. E. Masinga, who presented the first shows in the Zulu service, and The Zulu Radio Choir, who were mentioned as part of the first groups to be recorded for the Zulu radio service (Tracey 1948). All three of these stakeholders have played a foundational role in the establishment of the radio archive in South Africa. Using discourse analysis and Judith Butler's performativity theory (1988; 1990; 1999), I trace the discursive interactions of these stakeholders-an area where 'African tradition' meets 'colonial modernity' (Mudirnbe 1988). I then proceed to show how their performative acts reveal multi-layered processes of redefinition and negotiation. A recurring thread in the entire dissertation is a quest to represent Africa and its people's in new ways that challenge colonial legacies. 2016-04-20T11:10:52Z 2016-04-20T11:10:52Z 2008 Master Thesis Masters MPhil http://hdl.handle.net/11427/18999 eng application/pdf African Studies Faculty of Humanities University of Cape Town
spellingShingle Public Culture (African Studies)
Mhlambi, Thokozani Ndumiso
The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM
thesis_degree_str Master's
title The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM
title_full The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM
title_fullStr The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM
title_full_unstemmed The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM
title_short The early years of black radio broadcasting in South Africa : a critical reflection on the making of Ukhozi FM
title_sort early years of black radio broadcasting in south africa a critical reflection on the making of ukhozi fm
topic Public Culture (African Studies)
url http://hdl.handle.net/11427/18999
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