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Crafting the commons : modern approaches to music as product
In this dissertation, modern approaches to record labels, music as product, and copyright in the music industry were investigated. The possibility of successfully creating, implementing, and operating an independent, not‐for‐profit, commercial record label that services the needs of the South Africa...
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| Format: | Thesis |
| Language: | English |
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College of Music
2016
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| _version_ | 1867614067772882944 |
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| access_status_str | Open Access |
| author | Fouché, Jacques Abraham |
| author2 | Herbst, Theo |
| author_browse | Fouché, Jacques Abraham Herbst, Theo |
| author_facet | Herbst, Theo Fouché, Jacques Abraham |
| author_sort | Fouché, Jacques Abraham |
| collection | Thesis |
| description | In this dissertation, modern approaches to record labels, music as product, and copyright in the music industry were investigated. The possibility of successfully creating, implementing, and operating an independent, not‐for‐profit, commercial record label that services the needs of the South African College of Music (SACM), with a flexible approach to the music industry, music as product, and copyright was hypothesised. The current state of the music industry, and specifically the record industry, was researched, with special regard given to modern aspects of the industry as well as the technological advancements that through history have contributed to the evolution of the industry to its current state. The concept of copyright was explored in its traditional, modernized, and adapted forms. In addition, traditional and modern models of major and independent record labels were assessed in order to gain insight into the processes involved in the creation and operation of such entities, along with the way in which artists function in the modern record industry environment. Finally, the project of creating the mentioned record label within a tertiary education institution was researched through practical implementation and evaluation. As a part of this implementation, a specific recording project at the SACM was researched, undertaken in practice, and documented in order to research potential opportunities and obstacles in the creation of a recorded music album, with special significance for future projects. The hypothesis was proved correct, but a flexible approach to the entire process was also proved a necessity in that constant optimization and adaptation is required to facilitate the successful continuation of such a record label. Future considerations and innovation-based paths forward for similar projects were also provided. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/20036 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:46:09.394Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2016 |
| publishDateRange | 2016 |
| publishDateSort | 2016 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/20036 Crafting the commons : modern approaches to music as product Fouché, Jacques Abraham Herbst, Theo Music In this dissertation, modern approaches to record labels, music as product, and copyright in the music industry were investigated. The possibility of successfully creating, implementing, and operating an independent, not‐for‐profit, commercial record label that services the needs of the South African College of Music (SACM), with a flexible approach to the music industry, music as product, and copyright was hypothesised. The current state of the music industry, and specifically the record industry, was researched, with special regard given to modern aspects of the industry as well as the technological advancements that through history have contributed to the evolution of the industry to its current state. The concept of copyright was explored in its traditional, modernized, and adapted forms. In addition, traditional and modern models of major and independent record labels were assessed in order to gain insight into the processes involved in the creation and operation of such entities, along with the way in which artists function in the modern record industry environment. Finally, the project of creating the mentioned record label within a tertiary education institution was researched through practical implementation and evaluation. As a part of this implementation, a specific recording project at the SACM was researched, undertaken in practice, and documented in order to research potential opportunities and obstacles in the creation of a recorded music album, with special significance for future projects. The hypothesis was proved correct, but a flexible approach to the entire process was also proved a necessity in that constant optimization and adaptation is required to facilitate the successful continuation of such a record label. Future considerations and innovation-based paths forward for similar projects were also provided. 2016-06-17T06:30:20Z 2016-06-17T06:30:20Z 2015 Master Thesis Masters MMus http://hdl.handle.net/11427/20036 eng application/pdf College of Music Faculty of Humanities University of Cape Town |
| spellingShingle | Music Fouché, Jacques Abraham Crafting the commons : modern approaches to music as product |
| thesis_degree_str | Master's |
| title | Crafting the commons : modern approaches to music as product |
| title_full | Crafting the commons : modern approaches to music as product |
| title_fullStr | Crafting the commons : modern approaches to music as product |
| title_full_unstemmed | Crafting the commons : modern approaches to music as product |
| title_short | Crafting the commons : modern approaches to music as product |
| title_sort | crafting the commons modern approaches to music as product |
| topic | Music |
| url | http://hdl.handle.net/11427/20036 |
| work_keys_str_mv | AT fouchejacquesabraham craftingthecommonsmodernapproachestomusicasproduct |