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Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"

In 1978, South African conceptual artist Willem Boshoff retyped the Book of Revelation onto a single sheet of paper; reinserting the same page into his typewriter, layering the language upon itself. This project sets out to "read" the product of Boshoff's performance - a rectangle of superimposed te...

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Main Author: Edy, Alice
Other Authors: Twidle, Hedley
Format: Thesis
Language:English
Published: Department of English Language and Literature 2016
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access_status_str Open Access
author Edy, Alice
author2 Twidle, Hedley
author_browse Edy, Alice
Twidle, Hedley
author_facet Twidle, Hedley
Edy, Alice
author_sort Edy, Alice
collection Thesis
description In 1978, South African conceptual artist Willem Boshoff retyped the Book of Revelation onto a single sheet of paper; reinserting the same page into his typewriter, layering the language upon itself. This project sets out to "read" the product of Boshoff's performance - a rectangle of superimposed text entitled "Verskanste Openbaring" ("Entrenched Revelation"). Entirely illegible, this page is immediately resistant to conventional strategies of reading. However, perhaps the text's provocation might also be an invitation of sorts; in the absence of discernible language, can we read the text's act of resistance? "Verskanste Openbaring" oscillates unpredictably between image and text. Rather, then, than imposing a rigid mode of interpretation, I situate the poem flexibly within the theoretical frameworks of concrete poetry, book history and conceptual writing. I begin at the surface of the page, approaching the the text in aesthetic and material terms. Here, specific attention is paid to considerations of the authorial performance, temporality, sound and typography. Having considered the author's performance of writing, I consider his medium: Afrikaans. Might we "read" a language aesthetically? Finally, focus is shifted from the ink to the book that is hidden within: Revelation. Looking back two thousand years, I explore the socio-political context in which John of Patmos produced this strange and deeply violent prophesy. Guided by the material conditions of Boshoff's piece, this paper seeks to respond to the provocations of both "Verskanste Openbaring" and its source text. Might the plagiarism be productively put into conversation with the original - and vice versa? In producing "Verskanste Openbaring" Boshoff foregrounds the performance of writing. In response, this project takes the shape its own self-conscious interpretive performance; an exploration of the possibilities of reading - via a single illegible page.
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institution University of Cape Town (South Africa)
language eng
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
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spelling oai:open.uct.ac.za:11427/20692 Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring" Edy, Alice Twidle, Hedley Literature In 1978, South African conceptual artist Willem Boshoff retyped the Book of Revelation onto a single sheet of paper; reinserting the same page into his typewriter, layering the language upon itself. This project sets out to "read" the product of Boshoff's performance - a rectangle of superimposed text entitled "Verskanste Openbaring" ("Entrenched Revelation"). Entirely illegible, this page is immediately resistant to conventional strategies of reading. However, perhaps the text's provocation might also be an invitation of sorts; in the absence of discernible language, can we read the text's act of resistance? "Verskanste Openbaring" oscillates unpredictably between image and text. Rather, then, than imposing a rigid mode of interpretation, I situate the poem flexibly within the theoretical frameworks of concrete poetry, book history and conceptual writing. I begin at the surface of the page, approaching the the text in aesthetic and material terms. Here, specific attention is paid to considerations of the authorial performance, temporality, sound and typography. Having considered the author's performance of writing, I consider his medium: Afrikaans. Might we "read" a language aesthetically? Finally, focus is shifted from the ink to the book that is hidden within: Revelation. Looking back two thousand years, I explore the socio-political context in which John of Patmos produced this strange and deeply violent prophesy. Guided by the material conditions of Boshoff's piece, this paper seeks to respond to the provocations of both "Verskanste Openbaring" and its source text. Might the plagiarism be productively put into conversation with the original - and vice versa? In producing "Verskanste Openbaring" Boshoff foregrounds the performance of writing. In response, this project takes the shape its own self-conscious interpretive performance; an exploration of the possibilities of reading - via a single illegible page. 2016-07-25T11:29:08Z 2016-07-25T11:29:08Z 2016 Master Thesis Masters MA http://hdl.handle.net/11427/20692 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle Literature
Edy, Alice
Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"
thesis_degree_str Master's
title Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"
title_full Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"
title_fullStr Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"
title_full_unstemmed Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"
title_short Uneasy reading : resistance and revelation in Willem Boshoff's "Verskanste Openbaring"
title_sort uneasy reading resistance and revelation in willem boshoff s verskanste openbaring
topic Literature
url http://hdl.handle.net/11427/20692
work_keys_str_mv AT edyalice uneasyreadingresistanceandrevelationinwillemboshoffsverskansteopenbaring