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Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode

Early German Romanticism is a period associated in literary analysis with the emancipation of women. Two women writers of the time. Bettine von Arnim and Karoline von Günderrode take up the Romantic view of literature as an emancipating medium. The thesis refers to Romanticism to define the concepts...

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Main Author: Klipp, Veronica
Other Authors: Selzer, Brigitte
Format: Thesis
Language:German
Published: German Language and Literature 2016
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access_status_str Open Access
author Klipp, Veronica
author2 Selzer, Brigitte
author_browse Klipp, Veronica
Selzer, Brigitte
author_facet Selzer, Brigitte
Klipp, Veronica
author_sort Klipp, Veronica
collection Thesis
description Early German Romanticism is a period associated in literary analysis with the emancipation of women. Two women writers of the time. Bettine von Arnim and Karoline von Günderrode take up the Romantic view of literature as an emancipating medium. The thesis refers to Romanticism to define the concepts of feminity, literature and emancipation within their historical context. Romanticism attempts a dialogue between the self and its other, and ultimately re-defines woman as the other of the author male. Friedrich Schlegel's novel Lucinde is analysed as a paradigmatic example of the identification of the self through the medium of literature. The writings of Bettine and Karoline have been analysed as early examples of a feminist literary tradition from the standpoint of feminist theory located in the context of modern women's movements. By way of contrast to Romantic literary theory, this feminist literary theory is expressed as a perceived continuity of women's experience. The concept of self-realisation of women authors through literature is examined from the standpoint of understanding literary texts as objectification of self. French feminist criticism is employed to analyse the relation of feminity to systems of representations from the perspective of modern textual practice. It is argued that Bettine's novel is structured around the literary correspondence between herself and Karoline in which they were able to create a "free-space" (Freiraum) in order to discuss their alienation from society. In realising Romanticism's concept of a dialogue. Bettine achieves a new concept of authorship which allows a representation of female desire, as defined by French theory, through a reflection in Karoline as her other. While both women enjoy the advantage of education. Bettine rejects this as an example of male norms. Karoline imitates these norms to emancipate herself. Karoline identifies with the dominant aesthetic norms in her poetry in an attempt at identification. Her letters, on the other hand, reflect a modern experience of discontinuity of self, which she explains as a result of the absence of social practice in the society of her time and the limitations imposed on her as a woman. In the thesis, it is concluded that Karoline's production is difficult to reconcile with either of the above literary theories. Neither Karoline's nor Bettine's literature can be seen as representative of a unified female subject. The medium of literature enables the development of an aesthetic subjectivity, which, it is argued, can be applied to women-specific" (frauenspezifisch) criticism.
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institution University of Cape Town (South Africa)
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
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publisher German Language and Literature
publisherStr German Language and Literature
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/21969 Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode Klipp, Veronica Selzer, Brigitte German Language and Literature Early German Romanticism is a period associated in literary analysis with the emancipation of women. Two women writers of the time. Bettine von Arnim and Karoline von Günderrode take up the Romantic view of literature as an emancipating medium. The thesis refers to Romanticism to define the concepts of feminity, literature and emancipation within their historical context. Romanticism attempts a dialogue between the self and its other, and ultimately re-defines woman as the other of the author male. Friedrich Schlegel's novel Lucinde is analysed as a paradigmatic example of the identification of the self through the medium of literature. The writings of Bettine and Karoline have been analysed as early examples of a feminist literary tradition from the standpoint of feminist theory located in the context of modern women's movements. By way of contrast to Romantic literary theory, this feminist literary theory is expressed as a perceived continuity of women's experience. The concept of self-realisation of women authors through literature is examined from the standpoint of understanding literary texts as objectification of self. French feminist criticism is employed to analyse the relation of feminity to systems of representations from the perspective of modern textual practice. It is argued that Bettine's novel is structured around the literary correspondence between herself and Karoline in which they were able to create a "free-space" (Freiraum) in order to discuss their alienation from society. In realising Romanticism's concept of a dialogue. Bettine achieves a new concept of authorship which allows a representation of female desire, as defined by French theory, through a reflection in Karoline as her other. While both women enjoy the advantage of education. Bettine rejects this as an example of male norms. Karoline imitates these norms to emancipate herself. Karoline identifies with the dominant aesthetic norms in her poetry in an attempt at identification. Her letters, on the other hand, reflect a modern experience of discontinuity of self, which she explains as a result of the absence of social practice in the society of her time and the limitations imposed on her as a woman. In the thesis, it is concluded that Karoline's production is difficult to reconcile with either of the above literary theories. Neither Karoline's nor Bettine's literature can be seen as representative of a unified female subject. The medium of literature enables the development of an aesthetic subjectivity, which, it is argued, can be applied to women-specific" (frauenspezifisch) criticism. 2016-09-28T19:02:32Z 2016-09-28T19:02:32Z 1992 Master Thesis Masters MA http://hdl.handle.net/11427/21969 deu application/pdf German Language and Literature Faculty of Humanities University of Cape Town
spellingShingle German Language and Literature
Klipp, Veronica
Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode
thesis_degree_str Master's
title Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode
title_full Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode
title_fullStr Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode
title_full_unstemmed Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode
title_short Literatur und Emanzipation von Frauen in der Frühromantik : Bettine von Arnim und Karoline von Günderrode
title_sort literatur und emanzipation von frauen in der fruhromantik bettine von arnim und karoline von gunderrode
topic German Language and Literature
url http://hdl.handle.net/11427/21969
work_keys_str_mv AT klippveronica literaturundemanzipationvonfraueninderfruhromantikbettinevonarnimundkarolinevongunderrode