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Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre

Bibliography: pages 201-210.

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Main Author: Horn, Anette
Other Authors: Pakendorf, Gunther
Format: Thesis
Language:German
Published: German Language and Literature 2016
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access_status_str Open Access
author Horn, Anette
author2 Pakendorf, Gunther
author_browse Horn, Anette
Pakendorf, Gunther
author_facet Pakendorf, Gunther
Horn, Anette
author_sort Horn, Anette
collection Thesis
description Bibliography: pages 201-210.
format Thesis
id oai:open.uct.ac.za:11427/22124
institution University of Cape Town (South Africa)
language deu
last_indexed 2026-06-10T12:32:56.154Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publisher German Language and Literature
publisherStr German Language and Literature
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/22124 Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre Horn, Anette Pakendorf, Gunther German Language and Literature Bibliography: pages 201-210. The dissertation attempts to analyse the novella Die Reisebegegnung by Anna Seghers not as an isolated "work" by an isolated "author" but as a symptom of the possibilities and limits of innovative writing in the German Democratic Republic in the seventies. While it therefore situates the novella within the context of literary politics, it also tries to show how Anna Seghers expanded the boundaries of literary political debates, which focused on the concepts of cultural heritage and social realism, by using the form of fiction instead of a critical essay. The first chapter deals with the historical context of the novella. It tries to show Anna Seghers' allegorical depiction of the literary figures of "Nikolai Gogol", "E. T. A. Hoffmann" and "Franz Kafka" as representations of the aesthetics of realism, romanticism and modernism respectively. The use of allegory marks a significant breakaway from the method of social realism. The chapter also tries to show the intertextuality of the novella. The second chapter focuses on the debate on cultural heritage in the GDR. It retraces Anna Seghers' changing attitudes to the controversial cultural heritage of romanticism and modernism in the Marxist debate on realism from the thirties up to the publication of the novella Die Reisebegegn.ung in 1973. The third chapter deals with the theory of socialist realism as developed by Georg Lukacs and simplified by the Stalinist cultural functionary Andrei Zhdanov. It attempts to define the position taken by Anna Seghers in the Marxist debate on realism in which she argued on the same side as Ernst Bloch and Bertolt Brecht against the concept of realism upheld by Lukacs. The fourth chapter deals with the depiction of the three literary figures in the novella. It attempts to show in how far this figuration deviates from the orthodox Marxist reception of the three authors on the one hand and from that of alternative Marxist and non-Marxist interpretations on the other. The fifth chapter analyses Anna Seghers' literary representation of time. She lets the three authors travel freely through "objective" historical time, which constitutes the most significant deviation from the theory of socialist realism in the novella. The chapter discusses the implications this has for innovative writing in the GDR. While Anna Seghers tries to incorporate the divergent concepts of realism of the three authors - each situated within his own literary historical framework - into her variety of socialist realism in the GDR in the seventies, she adapts and changes the complexity and specificity of their representations of reality. The unresolved contradictions of the novella, however, constantly subvert the claim to an extraliterary reality, which the literary figures and the novella make. The limits of this novella in its literary historical context were in turn expanded by writers in the GDR in the seventies who saw in it a legitimisation for their own literary experiments. 2016-10-14T06:23:37Z 2016-10-14T06:23:37Z 1990 Master Thesis Masters MA http://hdl.handle.net/11427/22124 deu application/pdf German Language and Literature Faculty of Humanities University of Cape Town
spellingShingle German Language and Literature
Horn, Anette
Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre
thesis_degree_str Master's
title Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre
title_full Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre
title_fullStr Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre
title_full_unstemmed Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre
title_short Kontroverses Erbe und Innovation : die Novelle Die Reisebegegnung von Anna Seghers im literaturpolitischen Kontext der DDR der siebziger Jahre
title_sort kontroverses erbe und innovation die novelle die reisebegegnung von anna seghers im literaturpolitischen kontext der ddr der siebziger jahre
topic German Language and Literature
url http://hdl.handle.net/11427/22124
work_keys_str_mv AT hornanette kontroverseserbeundinnovationdienovellediereisebegegnungvonannaseghersimliteraturpolitischenkontextderddrdersiebzigerjahre