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Athol Fugard : his dramatic work with special reference to his later plays

Bibliography: pages 366-380.

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Main Author: Sarzin, Anne
Other Authors: Haresnape, Geoffrey
Format: Thesis
Language:English
Published: Department of English Language and Literature 2016
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access_status_str Open Access
author Sarzin, Anne
author2 Haresnape, Geoffrey
author_browse Haresnape, Geoffrey
Sarzin, Anne
author_facet Haresnape, Geoffrey
Sarzin, Anne
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description Bibliography: pages 366-380.
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provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
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spelling oai:open.uct.ac.za:11427/22466 Athol Fugard : his dramatic work with special reference to his later plays Sarzin, Anne Haresnape, Geoffrey English Literature Bibliography: pages 366-380. In the introduction, the writer highlights Fugard's regional artistry, his authentic reflection and recreation of a nation's tormented soul. The first chapter deals with Fugard's early plays, revealing the embryonic playwright and those characteristics of imagery, construction, language and content to be developed and refined in later plays. Briefly examined within this context are No-Good Friday, Nongogo and Tsotsi, the playwright's only novel. A chapter on the Port Elizabeth plays written in Fugard's apprenticeship years, The Blood Knot, Hello and Goodbye and Boesman and Lena, focuses on his growing skill as a dramatist, his involvement in his milieu both geographically and emotionally, as well as providing detailed analysis of the plays in terms of major features such as national politics, universal values, existentialism and Calvinism. The period of collaboration in which Fugard responded to the suggestions, imaginative projections and creative stimulus of his actors, forms the content of a chapter devoted to detailed study of the improvised plays: The Coat, Orestes, Sizwe Bansi is Dead, and The Island. The later Port Elizabeth plays, A Lesson from Aloes and "Master Harold ' ... and the boys, are explored from political and personal perspectives respectively, with attention paid to the intensely human dramas that dominate even the overtly ideological considerations. A chapter on the television and film scripts - The Occupation, Mille Miglia, The Guest, Marigolds in August - traces Fugard's involvement in these media, his economy of verbal descriptions and his taut control of his material generally. A chapter is devoted to Fugard' s women, the characters who present affirmative points of view, whose courage, compassion and determination infuse a hostile world with a range of possibilities beyond survival and existence. Milly in People are Living There, Frieda in Statements After An Arrest Under The Immorality Act and Miss Helen in The Road to Mecca form a Fugardian sorority of survivors. The final chapter of the thesis is devoted to Dimetos, regarded as an intensely personal artistic statement, an examination of the dramatist's alterego, the playwright's persona. 2016-11-10T06:46:37Z 2016-11-10T06:46:37Z 1987 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/22466 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Literature
Sarzin, Anne
Athol Fugard : his dramatic work with special reference to his later plays
thesis_degree_str Doctoral
title Athol Fugard : his dramatic work with special reference to his later plays
title_full Athol Fugard : his dramatic work with special reference to his later plays
title_fullStr Athol Fugard : his dramatic work with special reference to his later plays
title_full_unstemmed Athol Fugard : his dramatic work with special reference to his later plays
title_short Athol Fugard : his dramatic work with special reference to his later plays
title_sort athol fugard his dramatic work with special reference to his later plays
topic English Literature
url http://hdl.handle.net/11427/22466
work_keys_str_mv AT sarzinanne atholfugardhisdramaticworkwithspecialreferencetohislaterplays