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Minimal means of making place

This dissertation introduced a minimal means approach to architectural interventions in the landscape of the Western Cape. Learning from land artists such as Robert Smithson and Robert Morris, an intervention is powerful when experienced in isolation. The intervention supercharges the landscape, ena...

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Main Author: Swanepoel, Simone
Other Authors: Coetzer, Nic
Format: Thesis
Language:English
Published: School of Architecture, Planning and Geomatics 2017
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access_status_str Open Access
author Swanepoel, Simone
author2 Coetzer, Nic
author_browse Coetzer, Nic
Swanepoel, Simone
author_facet Coetzer, Nic
Swanepoel, Simone
author_sort Swanepoel, Simone
collection Thesis
description This dissertation introduced a minimal means approach to architectural interventions in the landscape of the Western Cape. Learning from land artists such as Robert Smithson and Robert Morris, an intervention is powerful when experienced in isolation. The intervention supercharges the landscape, enabling the participant to notice things they might have overlooked otherwise. Simultaneously, when there are too many interventions, the dialogue they have with their surrounding environment becomes diluted. It proposed the idea that architecture is a means with which people interact with their environment. People make place by using what the land has Io offer and curate a place in relation to the surrounding landscape. Looking at the way people lay claim to the land, and in particular make place with boundaries, lies at the heart of the research. The place-making theories of Martin Heidegger and Christian Norberg-Schulz were not negated, but rather reconsidered in the landscape of the Western Cape, outside of the metropole. This research focuses on Kleinmond, a small-scale fishing town along the Western Cape coastline, which originated with fishermen settling along a small indent in the coastline, where conditions invite fishing activities. It was suggested that the land could only be exploited to a certain extent that is determined by the constitution thereof. The manner in which the urban fabric in Kleinmond has developed over the years has deprived civilians of a dialogue with the ocean. The project sought to redefine this relationship by making place through physical and implied boundaries with minimal means of intervention. The existing rhythms present in this environment: the fishermen's daily routine, the rhythm of the tides, the seasonality of the wetland water as well as the coming and going of visitors, were informants to the approach to the site. It was sought to redefine Kleinmond as a place worth dwelling in by proposing a building that acts as an end towards the harbour, as well as an edge for the slipway while offering amenity to an under-utilised site.
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institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:42:39.700Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2017
publishDateRange 2017
publishDateSort 2017
publisher School of Architecture, Planning and Geomatics
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spelling oai:open.uct.ac.za:11427/22981 Minimal means of making place Swanepoel, Simone Coetzer, Nic Crowder, Albertrum Architecure and Planning This dissertation introduced a minimal means approach to architectural interventions in the landscape of the Western Cape. Learning from land artists such as Robert Smithson and Robert Morris, an intervention is powerful when experienced in isolation. The intervention supercharges the landscape, enabling the participant to notice things they might have overlooked otherwise. Simultaneously, when there are too many interventions, the dialogue they have with their surrounding environment becomes diluted. It proposed the idea that architecture is a means with which people interact with their environment. People make place by using what the land has Io offer and curate a place in relation to the surrounding landscape. Looking at the way people lay claim to the land, and in particular make place with boundaries, lies at the heart of the research. The place-making theories of Martin Heidegger and Christian Norberg-Schulz were not negated, but rather reconsidered in the landscape of the Western Cape, outside of the metropole. This research focuses on Kleinmond, a small-scale fishing town along the Western Cape coastline, which originated with fishermen settling along a small indent in the coastline, where conditions invite fishing activities. It was suggested that the land could only be exploited to a certain extent that is determined by the constitution thereof. The manner in which the urban fabric in Kleinmond has developed over the years has deprived civilians of a dialogue with the ocean. The project sought to redefine this relationship by making place through physical and implied boundaries with minimal means of intervention. The existing rhythms present in this environment: the fishermen's daily routine, the rhythm of the tides, the seasonality of the wetland water as well as the coming and going of visitors, were informants to the approach to the site. It was sought to redefine Kleinmond as a place worth dwelling in by proposing a building that acts as an end towards the harbour, as well as an edge for the slipway while offering amenity to an under-utilised site. 2017-01-24T09:11:17Z 2017-01-24T09:11:17Z 2016 Master Thesis Masters MArch (Prof) http://hdl.handle.net/11427/22981 eng application/pdf School of Architecture, Planning and Geomatics Faculty of Engineering and the Built Environment University of Cape Town
spellingShingle Architecure and Planning
Swanepoel, Simone
Minimal means of making place
thesis_degree_str Master's
title Minimal means of making place
title_full Minimal means of making place
title_fullStr Minimal means of making place
title_full_unstemmed Minimal means of making place
title_short Minimal means of making place
title_sort minimal means of making place
topic Architecure and Planning
url http://hdl.handle.net/11427/22981
work_keys_str_mv AT swanepoelsimone minimalmeansofmakingplace