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My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work

South African poet laureate Keorapetse Kgositsile lived in extraordinary times marked by extraordinary challenges and changes. Born in 1938, exactly a decade before the draconian apartheid regime came into power, his life and work emerge from the milieus of British colonial South Africa, apartheid S...

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Main Author: Phalafala, Portia Mahlodi
Other Authors: Samuelson, Meg
Format: Thesis
Language:English
Published: Department of English Language and Literature 2017
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access_status_str Open Access
author Phalafala, Portia Mahlodi
author2 Samuelson, Meg
author_browse Phalafala, Portia Mahlodi
Samuelson, Meg
author_facet Samuelson, Meg
Phalafala, Portia Mahlodi
author_sort Phalafala, Portia Mahlodi
collection Thesis
description South African poet laureate Keorapetse Kgositsile lived in extraordinary times marked by extraordinary challenges and changes. Born in 1938, exactly a decade before the draconian apartheid regime came into power, his life and work emerge from the milieus of British colonial South Africa, apartheid South Africa, civil rights America, anti-apartheid movements, anti-colonial wars in Africa, anti-imperialism in Asia, cold war politics, and the eventual demise of both the Berlin wall and the apartheid regime in South Africa. His poetry responds to these times in illuminating ways. His poetic influences point to his Tswanacentred upbringing, his encounter with Afro-American oral and literary traditions, the styles and poetics of Drum writers, the outpouring of African literature he received from the Makerere conference of Uganda, and anti-colonial critical thinkers from Africa and its diaspora. At age twenty three, post-Sharpeville massacres, he was sent into exile by the leadership of the ANC, and he took with him a corpus of Tswana literature which would in/form his poetic. He readily immersed himself in the oral and written tradition of Afro-America while in exile in the United States of America. His work interweaves the oral and literary traditions of black South Africa and black America, revealing a dynamic and complex relationship between the two geographical sites. Where oral traditions have largely been left out of the broader narrative of modernity, this study demonstrates how oral traditions remain alive and are reinvigorated, providing a resource that is then carried across the Atlantic and renewed in translation, rather than left behind to ossify. Kgositsile's prominent presence in black international periodicals and his collaborations with other diasporic cultural, political and musical figures there show that the relationship between the two geographical sites is more complex than its current positioning of Afro-America as a vanguard on which Africans model themselves. Through a reading of Kgositsile's revolutionary poetry, this study also shows how the indigenous resource base enables him to resolve the agonising temporal and spatial tensions presented by modernity's colonialism. He coins concepts that re-enchant the world through a poetic that fosters a dialogue between past and future, and traditional and modern in a simultaneous present he deems the NOW-time.
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language eng
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2017
publishDateRange 2017
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spelling oai:open.uct.ac.za:11427/23022 My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work Phalafala, Portia Mahlodi Samuelson, Meg Garuba, Harry Mkhize, Khwezi Literary Studies South African poet laureate Keorapetse Kgositsile lived in extraordinary times marked by extraordinary challenges and changes. Born in 1938, exactly a decade before the draconian apartheid regime came into power, his life and work emerge from the milieus of British colonial South Africa, apartheid South Africa, civil rights America, anti-apartheid movements, anti-colonial wars in Africa, anti-imperialism in Asia, cold war politics, and the eventual demise of both the Berlin wall and the apartheid regime in South Africa. His poetry responds to these times in illuminating ways. His poetic influences point to his Tswanacentred upbringing, his encounter with Afro-American oral and literary traditions, the styles and poetics of Drum writers, the outpouring of African literature he received from the Makerere conference of Uganda, and anti-colonial critical thinkers from Africa and its diaspora. At age twenty three, post-Sharpeville massacres, he was sent into exile by the leadership of the ANC, and he took with him a corpus of Tswana literature which would in/form his poetic. He readily immersed himself in the oral and written tradition of Afro-America while in exile in the United States of America. His work interweaves the oral and literary traditions of black South Africa and black America, revealing a dynamic and complex relationship between the two geographical sites. Where oral traditions have largely been left out of the broader narrative of modernity, this study demonstrates how oral traditions remain alive and are reinvigorated, providing a resource that is then carried across the Atlantic and renewed in translation, rather than left behind to ossify. Kgositsile's prominent presence in black international periodicals and his collaborations with other diasporic cultural, political and musical figures there show that the relationship between the two geographical sites is more complex than its current positioning of Afro-America as a vanguard on which Africans model themselves. Through a reading of Kgositsile's revolutionary poetry, this study also shows how the indigenous resource base enables him to resolve the agonising temporal and spatial tensions presented by modernity's colonialism. He coins concepts that re-enchant the world through a poetic that fosters a dialogue between past and future, and traditional and modern in a simultaneous present he deems the NOW-time. 2017-01-25T13:23:25Z 2017-01-25T13:23:25Z 2016 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/23022 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle Literary Studies
Phalafala, Portia Mahlodi
My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work
thesis_degree_str Doctoral
title My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work
title_full My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work
title_fullStr My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work
title_full_unstemmed My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work
title_short My name is Afrika: Setswana genealogies, trans-atlantic interlocutions, and NOW-time in Keorapetse Kgositsile's life and work
title_sort my name is afrika setswana genealogies trans atlantic interlocutions and now time in keorapetse kgositsile s life and work
topic Literary Studies
url http://hdl.handle.net/11427/23022
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