Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
Power and transgression: margins, crossings and monstrous women in selected works of Bharati Mukherjee and Angela Carter
This study focuses on power and transgression in selected works of two disparate authors, Bharati Mukherjee and Angela Carter. Despite their differences of origins, cultures and styles, both writers articulate a vision of transgressive, unruly women, often situated at society's edges, who dare to ch...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
Department of English Language and Literature
2017
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
Similar Items: Power and transgression: margins, crossings and monstrous women in selected works of Bharati Mukherjee and Angela Carter
- The grotesque in the works of Federico Fellini and Angela Carter
- Frankenstein: a monstrous romanticism
- Diasporic Female Identities in Bharati Mukherjee's Desirable Daughters and Idris Ali's Dongola.
- The fantasy of female sexual freedom in Angela Carter's The Bloody Chamber and in John Logan's Penny Dreadful.
- Monstrous Matrilineage in Chinese American Literature
- 'Bankrupt enchantments' and 'fraudulent magic': demythologising in Angela Carter's The Bloody Chamber and Nights at the Circus