Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
Composition: Music as inpiration and generator of space
The analogy between the two arts of music and architecture has been a central theoretical theme since the conception of either. Emerging from a background that is situated in both architectural and musical instruction, the correlation between the two has always provided a certain degree of fascinati...
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis |
| Language: | English |
| Published: |
School of Architecture, Planning and Geomatics
2017
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
| Summary: | The analogy between the two arts of music and architecture has been a central theoretical theme since the conception of either. Emerging from a background that is situated in both architectural and musical instruction, the correlation between the two has always provided a certain degree of fascination for me. Having understood the linear narrative running between the translation of music and architecture, I endeavoured to locate a more conceptual foothold from which to derive my arguments. The essays below outline my discovery and development of the topic, transforming a simple analogy into a conceptual way of reading context so as to create an architectural composition of space, just as a musician uses the tools of notes (sounds), rests (silences), instrument quality, beat (time) and sequence to create a musical composition. This thesis developed similarly to that of a musical composition: where themes are presented, then developed, then treated in new ways, and finally returned to, creating a final composition that moves through exposition (stability), development (heightened tension and conflict) and resolution. |
|---|