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Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction

S.J. Naudé's collection of short stories, The Alphabet of Birds, foregrounds the diasporic experiences of its marginalised, transnational subjects. The stories unearth profound grief and a deep sense of loss and displacement. The title of the collection suggests that the content grapples with issues...

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Main Author: Smith, Alé Elizabeth
Other Authors: Twidle, Hedley
Format: Thesis
Language:English
Published: Department of English Language and Literature 2018
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access_status_str Open Access
author Smith, Alé Elizabeth
author2 Twidle, Hedley
author_browse Smith, Alé Elizabeth
Twidle, Hedley
author_facet Twidle, Hedley
Smith, Alé Elizabeth
author_sort Smith, Alé Elizabeth
collection Thesis
description S.J. Naudé's collection of short stories, The Alphabet of Birds, foregrounds the diasporic experiences of its marginalised, transnational subjects. The stories unearth profound grief and a deep sense of loss and displacement. The title of the collection suggests that the content grapples with issues that are central to the discourse of diaspora: movement, freedom, borders, home, dwelling, meaning, and identity. Jaco van Schalkwyk's debut novel, The Alibi Club, is structured around the story of a young man's efforts to build a new life in an unfamiliar country. Although very different in style, tone, and form, Naudé and Van Schalkwyk both ask questions about the nature of belonging, pain and loss associated with the diasporic experience: How does one come to terms with one's past?; How does one navigate oneself in an increasingly estranging global world?; Is it possible to re-imagine the past, to rewrite the stories one tells about oneself? Naudé and Van Schalkwyk are not the first South Africans to give thought to these questions; in fact, our country has a rich history of pre- and post-apartheid diasporic writings. What I find compelling, however, is how a new generation of authors - a group of writers that faces unique challenges - draws on the literary form to engage with and relate to the past and present, their country of birth, and their language. I consider in what ways the literary form allows these two authors to articulate and re-imagine the lived diasporic experiences of their Afrikaans-speaking, contemporary transnational subjects who inhabit multiple identities.
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language eng
last_indexed 2026-06-10T12:42:58.324Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2018
publishDateRange 2018
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spelling oai:open.uct.ac.za:11427/28117 Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction Smith, Alé Elizabeth Twidle, Hedley English Literature and Modernity S.J. Naudé's collection of short stories, The Alphabet of Birds, foregrounds the diasporic experiences of its marginalised, transnational subjects. The stories unearth profound grief and a deep sense of loss and displacement. The title of the collection suggests that the content grapples with issues that are central to the discourse of diaspora: movement, freedom, borders, home, dwelling, meaning, and identity. Jaco van Schalkwyk's debut novel, The Alibi Club, is structured around the story of a young man's efforts to build a new life in an unfamiliar country. Although very different in style, tone, and form, Naudé and Van Schalkwyk both ask questions about the nature of belonging, pain and loss associated with the diasporic experience: How does one come to terms with one's past?; How does one navigate oneself in an increasingly estranging global world?; Is it possible to re-imagine the past, to rewrite the stories one tells about oneself? Naudé and Van Schalkwyk are not the first South Africans to give thought to these questions; in fact, our country has a rich history of pre- and post-apartheid diasporic writings. What I find compelling, however, is how a new generation of authors - a group of writers that faces unique challenges - draws on the literary form to engage with and relate to the past and present, their country of birth, and their language. I consider in what ways the literary form allows these two authors to articulate and re-imagine the lived diasporic experiences of their Afrikaans-speaking, contemporary transnational subjects who inhabit multiple identities. 2018-05-25T07:42:14Z 2018-05-25T07:42:14Z 2018 Master Thesis Masters MA http://hdl.handle.net/11427/28117 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Literature and Modernity
Smith, Alé Elizabeth
Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
thesis_degree_str Master's
title Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
title_full Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
title_fullStr Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
title_full_unstemmed Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
title_short Re-imagining the past, negotiating the present: the lived diasporic experience in S.J. Naudé and Jaco van Schalkwyk's fiction
title_sort re imagining the past negotiating the present the lived diasporic experience in s j naude and jaco van schalkwyk s fiction
topic English Literature and Modernity
url http://hdl.handle.net/11427/28117
work_keys_str_mv AT smithaleelizabeth reimaginingthepastnegotiatingthepresenttheliveddiasporicexperienceinsjnaudeandjacovanschalkwyksfiction