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The paradox of uncertainty
This work represents my engagement with uncertainty, as I have defined and contained it. As an artist, my research strategy has been to work with uncertainty in a felt sense, using my hands as a way to access a different sort of thinking. To this end, I have allowed, created, sustained and magnified...
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| Format: | Thesis |
| Language: | English |
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Michaelis School of Fine Art
2018
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| _version_ | 1867613160842723328 |
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| access_status_str | Open Access |
| author | Shaer, Nicole |
| author2 | Siopis, Penny |
| author_browse | Shaer, Nicole Siopis, Penny |
| author_facet | Siopis, Penny Shaer, Nicole |
| author_sort | Shaer, Nicole |
| collection | Thesis |
| description | This work represents my engagement with uncertainty, as I have defined and contained it. As an artist, my research strategy has been to work with uncertainty in a felt sense, using my hands as a way to access a different sort of thinking. To this end, I have allowed, created, sustained and magnified the presence of uncertainty in my studio, as a focused, experiential study within the practice of making art. Uncertainty might be understood in many ways, so I will begin with the common definition as that which is ‘not able to be relied on; not known or definite’ (OED, 2016). Psychology professor Michael Smithson characterises the Western perception of uncertainty as a predominantly negative anticipation of what cannot be known (Bammer and Smithson, 2008: 18).Such a perception of uncertainty as a threat, may encourage the use of control as a means to contain the unknown. Smithson’s description reflects the prevailing attitude of my upbringing and this project represents the exploration of a different paradigm. The Paradox of Uncertainty alludes to the coexistence of two apparently opposing views of uncertainty, which I have sought to integrate through my art practice. My interest in uncertainty originates in years of effort to overcome anxiety, which I understand as the physiological manifestation of a fearful relationship with uncertainty that results in a habitual psychological struggle to out-plan the future. In contrast with the prevailing medical conception of anxiety as a form of mentalillness, philosopher Martin Heidegger considers anxiety to be an ‘irreducible, existential state of being[...] aris[ing] from the self-reflexive awareness of our own“potentiality-for-being”’ (Gordon, 2013: 106). The existential psychologist, Rollo May (1977: 38) offers a functional link between uncertainty and anxiety, noting that ‘whenever possibility is visualised by an individual, anxiety is potentially present in the same experience.’ Developing May’s concept of anxiety as a normal part of lived experience, psychologist Kerry Gordon (2013: 107) expands on the relationship between anxiety and creativity, saying:
Creativity, authenticity, uncertainty, anxiety—these cannot be separated. To live a creative existence means to live with uncertainty. To live an authentic existence means to live with anxiety. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/28321 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:31:43.046Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2018 |
| publishDateRange | 2018 |
| publishDateSort | 2018 |
| publisher | Michaelis School of Fine Art |
| publisherStr | Michaelis School of Fine Art |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/28321 The paradox of uncertainty Shaer, Nicole Siopis, Penny MacKenny, Virginia This work represents my engagement with uncertainty, as I have defined and contained it. As an artist, my research strategy has been to work with uncertainty in a felt sense, using my hands as a way to access a different sort of thinking. To this end, I have allowed, created, sustained and magnified the presence of uncertainty in my studio, as a focused, experiential study within the practice of making art. Uncertainty might be understood in many ways, so I will begin with the common definition as that which is ‘not able to be relied on; not known or definite’ (OED, 2016). Psychology professor Michael Smithson characterises the Western perception of uncertainty as a predominantly negative anticipation of what cannot be known (Bammer and Smithson, 2008: 18).Such a perception of uncertainty as a threat, may encourage the use of control as a means to contain the unknown. Smithson’s description reflects the prevailing attitude of my upbringing and this project represents the exploration of a different paradigm. The Paradox of Uncertainty alludes to the coexistence of two apparently opposing views of uncertainty, which I have sought to integrate through my art practice. My interest in uncertainty originates in years of effort to overcome anxiety, which I understand as the physiological manifestation of a fearful relationship with uncertainty that results in a habitual psychological struggle to out-plan the future. In contrast with the prevailing medical conception of anxiety as a form of mentalillness, philosopher Martin Heidegger considers anxiety to be an ‘irreducible, existential state of being[...] aris[ing] from the self-reflexive awareness of our own“potentiality-for-being”’ (Gordon, 2013: 106). The existential psychologist, Rollo May (1977: 38) offers a functional link between uncertainty and anxiety, noting that ‘whenever possibility is visualised by an individual, anxiety is potentially present in the same experience.’ Developing May’s concept of anxiety as a normal part of lived experience, psychologist Kerry Gordon (2013: 107) expands on the relationship between anxiety and creativity, saying: Creativity, authenticity, uncertainty, anxiety—these cannot be separated. To live a creative existence means to live with uncertainty. To live an authentic existence means to live with anxiety. 2018-07-23T11:40:08Z 2018-07-23T11:40:08Z 2016 Master Thesis Masters MFA degree http://hdl.handle.net/11427/28321 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town University if Cape Town |
| spellingShingle | Shaer, Nicole The paradox of uncertainty |
| thesis_degree_str | Master's |
| title | The paradox of uncertainty |
| title_full | The paradox of uncertainty |
| title_fullStr | The paradox of uncertainty |
| title_full_unstemmed | The paradox of uncertainty |
| title_short | The paradox of uncertainty |
| title_sort | paradox of uncertainty |
| url | http://hdl.handle.net/11427/28321 |
| work_keys_str_mv | AT shaernicole theparadoxofuncertainty AT shaernicole paradoxofuncertainty |