Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape

People of colour are often expected to meet externally determined standards of whiteness in exchange for privileges and benefits. The specific details regarding how those standards are determined vary based on context and depend on a variety of socio-historical factors. Regardless of the context, me...

Full description

Saved in:
Bibliographic Details
Main Author: Smit, Brittani Reniece
Other Authors: Mkhize, Khwezi
Format: Thesis
Language:Eng
Published: Department of English Language and Literature 2019
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613268658356224
access_status_str Open Access
author Smit, Brittani Reniece
author2 Mkhize, Khwezi
author_browse Mkhize, Khwezi
Smit, Brittani Reniece
author_facet Mkhize, Khwezi
Smit, Brittani Reniece
author_sort Smit, Brittani Reniece
collection Thesis
description People of colour are often expected to meet externally determined standards of whiteness in exchange for privileges and benefits. The specific details regarding how those standards are determined vary based on context and depend on a variety of socio-historical factors. Regardless of the context, meeting these standards typically requires rejection of indigenous ways of being in favour of foreign ideals. Colorism, which is discrimination based on skin tone, plays a significant role in determining the success of attempts at assimilation because of the long history of preferential treatment associated with light skin throughout slavery and colonialism which persists today. This dissertation is an investigation of the complex interplay between race, colour, class and gender in contexts characterised by colorist hierarchies in the shadow of the British Empire. It focuses primarily on texts written by and about women and foregrounds gendered experiences of race in the Cape region of South Africa and Anglophone Caribbean, highlighting the unique experiences of women of colour in relation to colorism and intersectional class-based discrimination in post-colonial/apartheid spaces. I examine the cultural, social and psychological impact of the classist and colorist ideologies born out of the similar histories of colonialism, slavery and indentured servitude in the Anglophone Caribbean and South Africa, specifically through the lens of contemporary literature written by authors whose work displays a particular sensitivity to these intersections. I am especially interested in the paradoxical relationship between derision and desire that accompanies aspirations towards whiteness and appropriations of European and particularly British cultural norms for people of colour in these contexts. The persistence of this tension as a trope in post-colonial/apartheid spaces resists the narrative of progression suggested by the political rhetoric of multicultural unity espoused by the governments of South Africa and the Caribbean and the retrospective writing analysed in this project functions as a palimpsest belying the optimism of current times.
format Thesis
id oai:open.uct.ac.za:11427/30426
institution University of Cape Town (South Africa)
language Eng
last_indexed 2026-06-10T12:33:26.520Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2019
publishDateRange 2019
publishDateSort 2019
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/30426 Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape Smit, Brittani Reniece Mkhize, Khwezi Ouma, Christopher People of colour are often expected to meet externally determined standards of whiteness in exchange for privileges and benefits. The specific details regarding how those standards are determined vary based on context and depend on a variety of socio-historical factors. Regardless of the context, meeting these standards typically requires rejection of indigenous ways of being in favour of foreign ideals. Colorism, which is discrimination based on skin tone, plays a significant role in determining the success of attempts at assimilation because of the long history of preferential treatment associated with light skin throughout slavery and colonialism which persists today. This dissertation is an investigation of the complex interplay between race, colour, class and gender in contexts characterised by colorist hierarchies in the shadow of the British Empire. It focuses primarily on texts written by and about women and foregrounds gendered experiences of race in the Cape region of South Africa and Anglophone Caribbean, highlighting the unique experiences of women of colour in relation to colorism and intersectional class-based discrimination in post-colonial/apartheid spaces. I examine the cultural, social and psychological impact of the classist and colorist ideologies born out of the similar histories of colonialism, slavery and indentured servitude in the Anglophone Caribbean and South Africa, specifically through the lens of contemporary literature written by authors whose work displays a particular sensitivity to these intersections. I am especially interested in the paradoxical relationship between derision and desire that accompanies aspirations towards whiteness and appropriations of European and particularly British cultural norms for people of colour in these contexts. The persistence of this tension as a trope in post-colonial/apartheid spaces resists the narrative of progression suggested by the political rhetoric of multicultural unity espoused by the governments of South Africa and the Caribbean and the retrospective writing analysed in this project functions as a palimpsest belying the optimism of current times. 2019-08-01T14:17:57Z 2019-08-01T14:17:57Z 2019 2019-07-29T12:17:02Z Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/30426 Eng application/pdf Department of English Language and Literature Faculty of Humanities
spellingShingle Smit, Brittani Reniece
Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape
thesis_degree_str Doctoral
title Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape
title_full Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape
title_fullStr Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape
title_full_unstemmed Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape
title_short Whiteness as currency: colorism in contemporary fiction of the Anglophone Caribbean and the Cape
title_sort whiteness as currency colorism in contemporary fiction of the anglophone caribbean and the cape
url http://hdl.handle.net/11427/30426
work_keys_str_mv AT smitbrittanireniece whitenessascurrencycolorismincontemporaryfictionoftheanglophonecaribbeanandthecape