Full Text Available
Note: Clicking the button above will open the full text document at the original institutional repository in a new window.
The role of nostalgia in reality television’s representation of rural lives
This dissertation examines the role of nostalgia in reality television’s representation of rural lives. My study merges a theoretical and critical investigation. I take Alaska: The Last Frontier as my case study and argue that the programme responds to social change and urban living conditions in th...
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
Centre for Film and Media Studies
2020
|
| Subjects: | |
| Tags: |
No Tags, Be the first to tag this record!
|
| _version_ | 1867613320530362368 |
|---|---|
| access_status_str | Open Access |
| author | Edwards, Abigail |
| author2 | Smit, Alexia |
| author_browse | Edwards, Abigail Smit, Alexia |
| author_facet | Smit, Alexia Edwards, Abigail |
| author_sort | Edwards, Abigail |
| collection | Thesis |
| description | This dissertation examines the role of nostalgia in reality television’s representation of rural lives. My study merges a theoretical and critical investigation. I take Alaska: The Last Frontier as my case study and argue that the programme responds to social change and urban living conditions in the United States by creating a nostalgic and idealistic representation of preindustrial American life. While the text is largely reactionary and calls upon a restorative nostalgia that imagines ideal American life as rural, white and heteronormative, the show also exhibits elements of reflective nostalgia, using the Kilcher family’s lifestyle to critique contemporary late capitalist lifestyles. Furthermore, I argue that this use of nostalgia conveys a dissatisfaction with post-industrial and urban life by foregrounding an idealistic settler narrative that implies it is not through progressive reform that America will find its nostrum but through a return to conservative values. The chapters in this thesis examine aspects of contemporary urban life that have drastically changed since the onset of America’s industrial revolution. My first chapter argues that nostalgia can manifest in an individual and potentially, a nation. I also argue that reality television plays a significant role in evoking nostalgia and uses it to respond to the sociological conditions of late capitalist urban life. Chapter 2 explores the relationship between the wilderness and nostalgia. In particular, I consider how the 'frontier myth’ structures the show’s nostalgic representation of rural living. In my third chapter I discuss how Alaska: The Last Frontier evokes nostalgia for a lost sense of kinship and community, reminiscent of a preindustrial revolution American culture. This chapter also uses the condition of anomie to further understand how the seemingly disparate relationship between the urban setting in which the programme is largely consumed and the nostalgia for a sense of family and community that the programme evokes, relate. Chapter 4 argues that the representation of labour in Alaska: The Last Frontier constructs a 'fantasy of wholeness’ and that this process potentially evokes nostalgia for an idealised set of labour relations that are perceived to be lost in the late capitalist age. I present a case study from Alaska: The Last Frontier to show how the programme constructs a 'fantasy of wholeness’ through representing idealised labour relations that are in stark contrast to Marx’s theory on how capitalist labour conditions are experienced. Finally, my fifth chapter reflects on the complex and integral role that nostalgia plays in Alaska: The Last Frontier’s representation of rural lives and discusses how the work I have presented in this thesis may provide a basis for future enquiries. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/31240 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:34:14.045Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2020 |
| publishDateRange | 2020 |
| publishDateSort | 2020 |
| publisher | Centre for Film and Media Studies |
| publisherStr | Centre for Film and Media Studies |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/31240 The role of nostalgia in reality television’s representation of rural lives Edwards, Abigail Smit, Alexia media film This dissertation examines the role of nostalgia in reality television’s representation of rural lives. My study merges a theoretical and critical investigation. I take Alaska: The Last Frontier as my case study and argue that the programme responds to social change and urban living conditions in the United States by creating a nostalgic and idealistic representation of preindustrial American life. While the text is largely reactionary and calls upon a restorative nostalgia that imagines ideal American life as rural, white and heteronormative, the show also exhibits elements of reflective nostalgia, using the Kilcher family’s lifestyle to critique contemporary late capitalist lifestyles. Furthermore, I argue that this use of nostalgia conveys a dissatisfaction with post-industrial and urban life by foregrounding an idealistic settler narrative that implies it is not through progressive reform that America will find its nostrum but through a return to conservative values. The chapters in this thesis examine aspects of contemporary urban life that have drastically changed since the onset of America’s industrial revolution. My first chapter argues that nostalgia can manifest in an individual and potentially, a nation. I also argue that reality television plays a significant role in evoking nostalgia and uses it to respond to the sociological conditions of late capitalist urban life. Chapter 2 explores the relationship between the wilderness and nostalgia. In particular, I consider how the 'frontier myth’ structures the show’s nostalgic representation of rural living. In my third chapter I discuss how Alaska: The Last Frontier evokes nostalgia for a lost sense of kinship and community, reminiscent of a preindustrial revolution American culture. This chapter also uses the condition of anomie to further understand how the seemingly disparate relationship between the urban setting in which the programme is largely consumed and the nostalgia for a sense of family and community that the programme evokes, relate. Chapter 4 argues that the representation of labour in Alaska: The Last Frontier constructs a 'fantasy of wholeness’ and that this process potentially evokes nostalgia for an idealised set of labour relations that are perceived to be lost in the late capitalist age. I present a case study from Alaska: The Last Frontier to show how the programme constructs a 'fantasy of wholeness’ through representing idealised labour relations that are in stark contrast to Marx’s theory on how capitalist labour conditions are experienced. Finally, my fifth chapter reflects on the complex and integral role that nostalgia plays in Alaska: The Last Frontier’s representation of rural lives and discusses how the work I have presented in this thesis may provide a basis for future enquiries. 2020-02-24T07:34:20Z 2020-02-24T07:34:20Z 2019 2020-02-24T07:34:06Z Master Thesis Masters Master of Arts http://hdl.handle.net/11427/31240 eng application/pdf Centre for Film and Media Studies Faculty of Humanities |
| spellingShingle | media film Edwards, Abigail The role of nostalgia in reality television’s representation of rural lives |
| thesis_degree_str | Master's |
| title | The role of nostalgia in reality television’s representation of rural lives |
| title_full | The role of nostalgia in reality television’s representation of rural lives |
| title_fullStr | The role of nostalgia in reality television’s representation of rural lives |
| title_full_unstemmed | The role of nostalgia in reality television’s representation of rural lives |
| title_short | The role of nostalgia in reality television’s representation of rural lives |
| title_sort | role of nostalgia in reality television s representation of rural lives |
| topic | media film |
| url | http://hdl.handle.net/11427/31240 |
| work_keys_str_mv | AT edwardsabigail theroleofnostalgiainrealitytelevisionsrepresentationofrurallives AT edwardsabigail roleofnostalgiainrealitytelevisionsrepresentationofrurallives |