Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Negative dramaturgies and the development of productive negation

The content of this dissertation is a cognitive map of divergent methodologies that contributed to the creation of a practice based on physical and conceptual, academic and non-academic, modes of knowledge-making and knowledge-gathering. I will show how the act of negating, whether verbally or throu...

Full description

Saved in:
Bibliographic Details
Main Author: Hartmann, Zee
Other Authors: Fleishman, Mark
Format: Thesis
Language:English
Published: Department of Drama 2020
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613209092947968
access_status_str Open Access
author Hartmann, Zee
author2 Fleishman, Mark
author_browse Fleishman, Mark
Hartmann, Zee
author_facet Fleishman, Mark
Hartmann, Zee
author_sort Hartmann, Zee
collection Thesis
description The content of this dissertation is a cognitive map of divergent methodologies that contributed to the creation of a practice based on physical and conceptual, academic and non-academic, modes of knowledge-making and knowledge-gathering. I will show how the act of negating, whether verbally or through conceptual strategies, elucidates the untapped potential of dance- or theatre-making processes. Weaving together a collection of ideas by academics, thinkers and makers from a variety of disciplines, together with the design of my own negative dramaturgy (which I have preliminarily coined here as Productive Negation), I aim to bring the omniscient negativity of dramaturgy into focus as a mobilizing, dynamic strategy for invention. The act of negation embodies a powerful force of conviction that clarifies muddled subjectivity popular in art criticism today, and yet it leaves enough room for focused investigation. This can be seen in the proposed four-step working model of Productive Negation based on Liz Lerman’s Critical Response Process. Far from being an in-depth discourse on theories of negation, Productive Negation is a methodology that attempts to marry theoretical and practical applications through the interpretive voice of the dramaturg in a collaborative environment.
format Thesis
id oai:open.uct.ac.za:11427/31644
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:29.432Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2020
publishDateRange 2020
publishDateSort 2020
publisher Department of Drama
publisherStr Department of Drama
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/31644 Negative dramaturgies and the development of productive negation Hartmann, Zee Fleishman, Mark drama The content of this dissertation is a cognitive map of divergent methodologies that contributed to the creation of a practice based on physical and conceptual, academic and non-academic, modes of knowledge-making and knowledge-gathering. I will show how the act of negating, whether verbally or through conceptual strategies, elucidates the untapped potential of dance- or theatre-making processes. Weaving together a collection of ideas by academics, thinkers and makers from a variety of disciplines, together with the design of my own negative dramaturgy (which I have preliminarily coined here as Productive Negation), I aim to bring the omniscient negativity of dramaturgy into focus as a mobilizing, dynamic strategy for invention. The act of negation embodies a powerful force of conviction that clarifies muddled subjectivity popular in art criticism today, and yet it leaves enough room for focused investigation. This can be seen in the proposed four-step working model of Productive Negation based on Liz Lerman’s Critical Response Process. Far from being an in-depth discourse on theories of negation, Productive Negation is a methodology that attempts to marry theoretical and practical applications through the interpretive voice of the dramaturg in a collaborative environment. 2020-04-21T08:41:30Z 2020-04-21T08:41:30Z 2019 2020-04-21T08:38:30Z Master Thesis Masters Master of Arts https://hdl.handle.net/11427/31644 eng application/pdf Department of Drama Faculty of Humanities
spellingShingle drama
Hartmann, Zee
Negative dramaturgies and the development of productive negation
thesis_degree_str Master's
title Negative dramaturgies and the development of productive negation
title_full Negative dramaturgies and the development of productive negation
title_fullStr Negative dramaturgies and the development of productive negation
title_full_unstemmed Negative dramaturgies and the development of productive negation
title_short Negative dramaturgies and the development of productive negation
title_sort negative dramaturgies and the development of productive negation
topic drama
url https://hdl.handle.net/11427/31644
work_keys_str_mv AT hartmannzee negativedramaturgiesandthedevelopmentofproductivenegation