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DNA - Deconstructing Native Affairs: New Equations
This study is an exploration of the articulation of my artistic voice or performance signature. It employs two methodologies, autoethnography and Practice as Research to investigate the practice of my artistic creations as a solo dance-maker. It utilises concepts such as the Batammaliba’s anatomical...
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| Format: | Thesis |
| Language: | English |
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Department of Drama
2020
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| _version_ | 1867613182615355392 |
|---|---|
| access_status_str | Open Access |
| author | Manyaapelo, Jacqueline Kehilwe |
| author2 | Fleishman, Mark |
| author_browse | Fleishman, Mark Manyaapelo, Jacqueline Kehilwe |
| author_facet | Fleishman, Mark Manyaapelo, Jacqueline Kehilwe |
| author_sort | Manyaapelo, Jacqueline Kehilwe |
| collection | Thesis |
| description | This study is an exploration of the articulation of my artistic voice or performance signature. It employs two methodologies, autoethnography and Practice as Research to investigate the practice of my artistic creations as a solo dance-maker. It utilises concepts such as the Batammaliba’s anatomical and metaphorical approach to architecture, Sankofa and decoloniality to frame the investigation. My first solo work, Satisfaction Index, is a point of departure for this analysis. The study then proceeds to engage with works created during the pursuit of this master’s degree over the past two years. In the discovery of my work, DNA and ritual feature to further construct the artistic voice or performance signature that I seek for the articulation of my rebranding as a soloist. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/31804 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:05.102Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2020 |
| publishDateRange | 2020 |
| publishDateSort | 2020 |
| publisher | Department of Drama |
| publisherStr | Department of Drama |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/31804 DNA - Deconstructing Native Affairs: New Equations Manyaapelo, Jacqueline Kehilwe Fleishman, Mark Theatre Performance This study is an exploration of the articulation of my artistic voice or performance signature. It employs two methodologies, autoethnography and Practice as Research to investigate the practice of my artistic creations as a solo dance-maker. It utilises concepts such as the Batammaliba’s anatomical and metaphorical approach to architecture, Sankofa and decoloniality to frame the investigation. My first solo work, Satisfaction Index, is a point of departure for this analysis. The study then proceeds to engage with works created during the pursuit of this master’s degree over the past two years. In the discovery of my work, DNA and ritual feature to further construct the artistic voice or performance signature that I seek for the articulation of my rebranding as a soloist. 2020-05-06T11:17:02Z 2020-05-06T11:17:02Z 2019 2020-05-06T01:43:27Z Master Thesis Masters MA https://hdl.handle.net/11427/31804 eng application/pdf Department of Drama Faculty of Humanities |
| spellingShingle | Theatre Performance Manyaapelo, Jacqueline Kehilwe DNA - Deconstructing Native Affairs: New Equations |
| thesis_degree_str | Master's |
| title | DNA - Deconstructing Native Affairs: New Equations |
| title_full | DNA - Deconstructing Native Affairs: New Equations |
| title_fullStr | DNA - Deconstructing Native Affairs: New Equations |
| title_full_unstemmed | DNA - Deconstructing Native Affairs: New Equations |
| title_short | DNA - Deconstructing Native Affairs: New Equations |
| title_sort | dna deconstructing native affairs new equations |
| topic | Theatre Performance |
| url | https://hdl.handle.net/11427/31804 |
| work_keys_str_mv | AT manyaapelojacquelinekehilwe dnadeconstructingnativeaffairsnewequations |