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Homunculi of the Digital City

Employing the media of video and installation, Homunculi of the digital city explores what it means to live in a digitally-mediated city. In my work, I personify both the city and city dwellers as cyborgian characters, by drawing on Donna Haraway's definition of the cyborg. I expand my personificati...

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Main Author: Minnie, Heinrich
Other Authors: Zaayman, Carine
Format: Thesis
Language:English
Published: Michaelis School of Fine Art 2021
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access_status_str Open Access
author Minnie, Heinrich
author2 Zaayman, Carine
author_browse Minnie, Heinrich
Zaayman, Carine
author_facet Zaayman, Carine
Minnie, Heinrich
author_sort Minnie, Heinrich
collection Thesis
description Employing the media of video and installation, Homunculi of the digital city explores what it means to live in a digitally-mediated city. In my work, I personify both the city and city dwellers as cyborgian characters, by drawing on Donna Haraway's definition of the cyborg. I expand my personification further by employing the Homunculus from Johann Wolfgang von Goethe's Faust II (1950, originally published in 1832). I utilise Matthew Gandy, Ingrid Hoelzl and Rémi Marie's discussions around the broader city so to consider the material and immaterial elements that constitute it. The screens that populate contemporary cities embody both these elements: they are physical objects that perform invisible data, in the vein of Boris Groĭs' analogy of an image file being analogous to a piece of music that needs to be performed in order to be sensible. By drawing on these frameworks, I position the city as a high density of screens that are physically ubiquitous, often a prosthetic, and function as a gateway to the immaterial elements of the city.
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institution University of Cape Town (South Africa)
language eng
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2021
publishDateRange 2021
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publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
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spelling oai:open.uct.ac.za:11427/32863 Homunculi of the Digital City Minnie, Heinrich Zaayman, Carine Saptouw, Fabian Fine Art Employing the media of video and installation, Homunculi of the digital city explores what it means to live in a digitally-mediated city. In my work, I personify both the city and city dwellers as cyborgian characters, by drawing on Donna Haraway's definition of the cyborg. I expand my personification further by employing the Homunculus from Johann Wolfgang von Goethe's Faust II (1950, originally published in 1832). I utilise Matthew Gandy, Ingrid Hoelzl and Rémi Marie's discussions around the broader city so to consider the material and immaterial elements that constitute it. The screens that populate contemporary cities embody both these elements: they are physical objects that perform invisible data, in the vein of Boris Groĭs' analogy of an image file being analogous to a piece of music that needs to be performed in order to be sensible. By drawing on these frameworks, I position the city as a high density of screens that are physically ubiquitous, often a prosthetic, and function as a gateway to the immaterial elements of the city. 2021-02-16T09:59:05Z 2021-02-16T09:59:05Z 2020 2021-02-16T05:44:02Z Master Thesis Masters MFA http://hdl.handle.net/11427/32863 eng application/pdf Michaelis School of Fine Art Faculty of Humanities
spellingShingle Fine Art
Minnie, Heinrich
Homunculi of the Digital City
thesis_degree_str Master's
title Homunculi of the Digital City
title_full Homunculi of the Digital City
title_fullStr Homunculi of the Digital City
title_full_unstemmed Homunculi of the Digital City
title_short Homunculi of the Digital City
title_sort homunculi of the digital city
topic Fine Art
url http://hdl.handle.net/11427/32863
work_keys_str_mv AT minnieheinrich homunculiofthedigitalcity