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The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History?
This dissertation examines the representation the Khoi woman Krotoa in the film of the same name directed by Roberta Durrant (2017). It draws on scholarship by Pamela Scully (2005) and Julia C. Wells (1997), who argue that Krotoa adapted well to her circumstances, following the arrival of Jan Van Ri...
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| Format: | Thesis |
| Language: | English |
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Centre for Film and Media Studies
2021
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| _version_ | 1867613244566274048 |
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| access_status_str | Open Access |
| author | Sheldon, Amy Gabrielle |
| author2 | Botha, Martin P |
| author_browse | Botha, Martin P Sheldon, Amy Gabrielle |
| author_facet | Botha, Martin P Sheldon, Amy Gabrielle |
| author_sort | Sheldon, Amy Gabrielle |
| collection | Thesis |
| description | This dissertation examines the representation the Khoi woman Krotoa in the film of the same name directed by Roberta Durrant (2017). It draws on scholarship by Pamela Scully (2005) and Julia C. Wells (1997), who argue that Krotoa adapted well to her circumstances, following the arrival of Jan Van Riebeeck at the Cape in 1652. Krotoa used her gender to influence Van Riebeeck's decision-making, regarding trade relations with the Khoi people. This thesis shows these views to be complicated and contested, especially considering evidence of victimisation and sexual assault of indigenous women by colonial authorities – as Pamela Scully (2005) has noted. Yvette Abrahams (1996) also wrote that Krotoa's alcoholism indicated some form of trauma. Simultaneously, indigenous people were also stereotyped based on race. They were deemed immoral and generally inferior to Europeans. These ideologies were perpetuated by European writings on encounters with indigenous people, as scholars like Nicholas Hudson (2004) write. Additionally, indigenous women such as Sarah Baartman, were perceived by Europeans as sexually deviant and hyper-sexual – as written by Zine Magubane (2001). It is for this reason therefore, that issues of identity, sexuality and gender are significant to this study on, Krotoa (2017). Furthermore, in bringing together the narratives of Sarah Baartman and Krotoa, it emphasizes how indigenous women have been marginalised and abused within a colonial society. Critical analysis of the film indicates that history has been distorted by the way Krotoa is represented. This was largely due to the perception that the film is told from the perspective of a ‘white' man, as Rusana Philander (2017) discusses. Moreover, due to the extent to which Durrant's film has been influenced by the past, I argue that Krotoa is mis-represented – both in history and in her representation on-screen. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/34028 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:33:04.194Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Centre for Film and Media Studies |
| publisherStr | Centre for Film and Media Studies |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/34028 The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? Sheldon, Amy Gabrielle Botha, Martin P Film Studies This dissertation examines the representation the Khoi woman Krotoa in the film of the same name directed by Roberta Durrant (2017). It draws on scholarship by Pamela Scully (2005) and Julia C. Wells (1997), who argue that Krotoa adapted well to her circumstances, following the arrival of Jan Van Riebeeck at the Cape in 1652. Krotoa used her gender to influence Van Riebeeck's decision-making, regarding trade relations with the Khoi people. This thesis shows these views to be complicated and contested, especially considering evidence of victimisation and sexual assault of indigenous women by colonial authorities – as Pamela Scully (2005) has noted. Yvette Abrahams (1996) also wrote that Krotoa's alcoholism indicated some form of trauma. Simultaneously, indigenous people were also stereotyped based on race. They were deemed immoral and generally inferior to Europeans. These ideologies were perpetuated by European writings on encounters with indigenous people, as scholars like Nicholas Hudson (2004) write. Additionally, indigenous women such as Sarah Baartman, were perceived by Europeans as sexually deviant and hyper-sexual – as written by Zine Magubane (2001). It is for this reason therefore, that issues of identity, sexuality and gender are significant to this study on, Krotoa (2017). Furthermore, in bringing together the narratives of Sarah Baartman and Krotoa, it emphasizes how indigenous women have been marginalised and abused within a colonial society. Critical analysis of the film indicates that history has been distorted by the way Krotoa is represented. This was largely due to the perception that the film is told from the perspective of a ‘white' man, as Rusana Philander (2017) discusses. Moreover, due to the extent to which Durrant's film has been influenced by the past, I argue that Krotoa is mis-represented – both in history and in her representation on-screen. 2021-10-01T08:32:01Z 2021-10-01T08:32:01Z 2021 2021-09-16T10:40:00Z Master Thesis Masters MA http://hdl.handle.net/11427/34028 eng application/pdf Centre for Film and Media Studies Faculty of Humanities |
| spellingShingle | Film Studies Sheldon, Amy Gabrielle The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? |
| thesis_degree_str | Master's |
| title | The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? |
| title_full | The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? |
| title_fullStr | The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? |
| title_full_unstemmed | The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? |
| title_short | The Relevance of the Biopic Krotoa (2017): A Mis-Representation of History? |
| title_sort | relevance of the biopic krotoa 2017 a mis representation of history |
| topic | Film Studies |
| url | http://hdl.handle.net/11427/34028 |
| work_keys_str_mv | AT sheldonamygabrielle therelevanceofthebiopickrotoa2017amisrepresentationofhistory AT sheldonamygabrielle relevanceofthebiopickrotoa2017amisrepresentationofhistory |