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Sunny with a chance: coming of age as coming out and coming into one's own

The screenplay (creative production component) follows Sunny, a young South African Indian woman, who relocates to Cape Town to study fine art. She sets her eyes on a significant award, but makes the critical mistake of falling for her greatest rival. Despite facing crippling cultural expectations a...

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Main Author: Maharaj, Upasna
Other Authors: Smit, Alexia
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2022
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access_status_str Open Access
author Maharaj, Upasna
author2 Smit, Alexia
author_browse Maharaj, Upasna
Smit, Alexia
author_facet Smit, Alexia
Maharaj, Upasna
author_sort Maharaj, Upasna
collection Thesis
description The screenplay (creative production component) follows Sunny, a young South African Indian woman, who relocates to Cape Town to study fine art. She sets her eyes on a significant award, but makes the critical mistake of falling for her greatest rival. Despite facing crippling cultural expectations and biases, Sunny discovers that being different - and loving who she wants to love - is not a crime, but an imperfect truth. The screenplay explores the protagonist's first year at university, complicated by questions of identity, race, gender, sexuality and their intersection with tradition and culture in contemporary South Africa. Taking the form of a coming-of-age Indie drama (with an artistic twist), the main character embarks on a journey of self-discovery and learning, as she confronts these challenges. The reflective creative explication serves as an accompaniment to the screenplay. It is used to expound upon the creative process of writing the screenplay: highlighting key scenes, beats and decisions whilst interrogating the theoretical frameworks surrounding representations of ‘othered' groups - specifically queer womxn of colour - and their perception in society, aided by the lens of personal lived experience. This is followed by a review of the Indie and coming-of-age genres, in which the screenplay operates. The piece acts as a critical reflection intended to contextualise and justify the creative decisions made in the screenplay, so as to provide a means of accessing the larger themes and concerns at hand.
format Thesis
id oai:open.uct.ac.za:11427/35831
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:35:53.009Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/35831 Sunny with a chance: coming of age as coming out and coming into one's own Maharaj, Upasna Smit, Alexia coming out coming-of-age queer South African Indian screen studies film indie The screenplay (creative production component) follows Sunny, a young South African Indian woman, who relocates to Cape Town to study fine art. She sets her eyes on a significant award, but makes the critical mistake of falling for her greatest rival. Despite facing crippling cultural expectations and biases, Sunny discovers that being different - and loving who she wants to love - is not a crime, but an imperfect truth. The screenplay explores the protagonist's first year at university, complicated by questions of identity, race, gender, sexuality and their intersection with tradition and culture in contemporary South Africa. Taking the form of a coming-of-age Indie drama (with an artistic twist), the main character embarks on a journey of self-discovery and learning, as she confronts these challenges. The reflective creative explication serves as an accompaniment to the screenplay. It is used to expound upon the creative process of writing the screenplay: highlighting key scenes, beats and decisions whilst interrogating the theoretical frameworks surrounding representations of ‘othered' groups - specifically queer womxn of colour - and their perception in society, aided by the lens of personal lived experience. This is followed by a review of the Indie and coming-of-age genres, in which the screenplay operates. The piece acts as a critical reflection intended to contextualise and justify the creative decisions made in the screenplay, so as to provide a means of accessing the larger themes and concerns at hand. 2022-02-22T10:20:49Z 2022-02-22T10:20:49Z 2021 2022-02-22T10:20:21Z Master Thesis Masters MA http://hdl.handle.net/11427/35831 eng application/pdf Centre for Film and Media Studies Faculty of Humanities
spellingShingle coming out
coming-of-age
queer
South African Indian
screen studies
film
indie
Maharaj, Upasna
Sunny with a chance: coming of age as coming out and coming into one's own
thesis_degree_str Master's
title Sunny with a chance: coming of age as coming out and coming into one's own
title_full Sunny with a chance: coming of age as coming out and coming into one's own
title_fullStr Sunny with a chance: coming of age as coming out and coming into one's own
title_full_unstemmed Sunny with a chance: coming of age as coming out and coming into one's own
title_short Sunny with a chance: coming of age as coming out and coming into one's own
title_sort sunny with a chance coming of age as coming out and coming into one s own
topic coming out
coming-of-age
queer
South African Indian
screen studies
film
indie
url http://hdl.handle.net/11427/35831
work_keys_str_mv AT maharajupasna sunnywithachancecomingofageascomingoutandcomingintoonesown