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Understanding the operatic tenor's legitimate head voice: A comparative study of historical and modern pedagogical approaches

The modern operatic tenor, with his chest-voice-like upper register, produces a vastly different sound to that of the castrato-trained tenore di grazia of the eighteenth century. Notwithstanding this change in tenor vocality, the practice of register-blending or -unification, originally developed by...

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Bibliographic Details
Main Author: Swan, Arthur
Other Authors: Hofmeyr, Hendrik
Format: Thesis
Language:English
Published: College of Music 2022
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