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Gardenia
Ellen is 29 and disillusioned with her advertising job in New York when she receives an email from a woman named Isa, for whom Ellen's mother Lacey abandoned her family fifteen years prior. In the email, Isa attempts to explain her affair with Lacey, who was almost two decades older than her at the...
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| Format: | Thesis |
| Language: | English |
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School of Languages and Literatures
2023
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| _version_ | 1867613200935026688 |
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| access_status_str | Open Access |
| author | Selig, SarahBelle |
| author2 | Coovadia, Imraan |
| author_browse | Coovadia, Imraan Selig, SarahBelle |
| author_facet | Coovadia, Imraan Selig, SarahBelle |
| author_sort | Selig, SarahBelle |
| collection | Thesis |
| description | Ellen is 29 and disillusioned with her advertising job in New York when she receives an email from a woman named Isa, for whom Ellen's mother Lacey abandoned her family fifteen years prior. In the email, Isa attempts to explain her affair with Lacey, who was almost two decades older than her at the time, and what happened in the years following the affair's discovery that led to Lacey's eventual mental and physical collapse. As Ellen travels back to coastal North Carolina to discover what happened to Lacey after she disappeared and face the one woman she has long blamed for it, she must confront the responsibility she, her father and brothers share in pushing her mother towards Isa, and reconcile with the abuse her family has inflicted on Isa in the years since. Gardenia is told in three intertwined novellas. In "Dig", Lacey begins a string of reckless acts in an attempt to assert herself amidst her lonely motherhood, including an affair with the young, black Isa. In "Sow", Isa recounts the story of her relationship with Lacey to her now husband, detailing her attempts to save the woman she loved from addiction while coping with her own increasing isolation from friends and family. Finally, in "Reap", Ellen contemplates her mother's decisions amidst the rapidly changing landscape of women's rights post-#MeToo, while battling her own demons and justifying to her younger brother her decision to find Isa. In each novella, the main character makes a different choice on what to do with her trauma, when faced with the opportunity to leave it behind. A reflection on the unbridgeable distance between the sexes, culminating in a meeting between the two women most haunted by Lacey's absence, Gardenia explores victimhood, women's sexuality, how we leave each other and—as each woman discovers—how we never really do. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/37843 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:21.936Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | School of Languages and Literatures |
| publisherStr | School of Languages and Literatures |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/37843 Gardenia Selig, SarahBelle Coovadia, Imraan creating writing Ellen is 29 and disillusioned with her advertising job in New York when she receives an email from a woman named Isa, for whom Ellen's mother Lacey abandoned her family fifteen years prior. In the email, Isa attempts to explain her affair with Lacey, who was almost two decades older than her at the time, and what happened in the years following the affair's discovery that led to Lacey's eventual mental and physical collapse. As Ellen travels back to coastal North Carolina to discover what happened to Lacey after she disappeared and face the one woman she has long blamed for it, she must confront the responsibility she, her father and brothers share in pushing her mother towards Isa, and reconcile with the abuse her family has inflicted on Isa in the years since. Gardenia is told in three intertwined novellas. In "Dig", Lacey begins a string of reckless acts in an attempt to assert herself amidst her lonely motherhood, including an affair with the young, black Isa. In "Sow", Isa recounts the story of her relationship with Lacey to her now husband, detailing her attempts to save the woman she loved from addiction while coping with her own increasing isolation from friends and family. Finally, in "Reap", Ellen contemplates her mother's decisions amidst the rapidly changing landscape of women's rights post-#MeToo, while battling her own demons and justifying to her younger brother her decision to find Isa. In each novella, the main character makes a different choice on what to do with her trauma, when faced with the opportunity to leave it behind. A reflection on the unbridgeable distance between the sexes, culminating in a meeting between the two women most haunted by Lacey's absence, Gardenia explores victimhood, women's sexuality, how we leave each other and—as each woman discovers—how we never really do. 2023-04-26T12:54:19Z 2023-04-26T12:54:19Z 2022 2023-04-26T12:53:30Z Master Thesis Masters MA http://hdl.handle.net/11427/37843 eng application/pdf School of Languages and Literatures Faculty of Humanities |
| spellingShingle | creating writing Selig, SarahBelle Gardenia |
| thesis_degree_str | Master's |
| title | Gardenia |
| title_full | Gardenia |
| title_fullStr | Gardenia |
| title_full_unstemmed | Gardenia |
| title_short | Gardenia |
| title_sort | gardenia |
| topic | creating writing |
| url | http://hdl.handle.net/11427/37843 |
| work_keys_str_mv | AT seligsarahbelle gardenia |