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The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs

Alexandra Fuller's memoirs detail the lives of white settlers in Southern Africa (specifically Zimbabwe) from white-rule to post-independence. Her memoirs illustrate how the settler colonial dream of the promised land in Africa would ultimately fail to be fully realised and maintainable. Yet, throug...

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Main Author: Scott, Skye
Other Authors: Boswell, Barbara
Format: Thesis
Language:English
Published: Department of English Language and Literature 2023
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access_status_str Open Access
author Scott, Skye
author2 Boswell, Barbara
author_browse Boswell, Barbara
Scott, Skye
author_facet Boswell, Barbara
Scott, Skye
author_sort Scott, Skye
collection Thesis
description Alexandra Fuller's memoirs detail the lives of white settlers in Southern Africa (specifically Zimbabwe) from white-rule to post-independence. Her memoirs illustrate how the settler colonial dream of the promised land in Africa would ultimately fail to be fully realised and maintainable. Yet, through the portrayal of unexamined colonial discourse, Fuller continues to perpetuate a constructed notion of Africa. The publication of her first memoir, Don't Let's Go to the Dogs Tonight, coincided with international media coverage of President Robert Mugabe's contested land redistribution programme and told a similar story of the loss of their family farm. Written from her home in Wyoming in the United States, Fuller's work forms part of a white expatriate culture that writes home to Africa from a different continent. Previous works have failed to address the theme of settler colonialism in literature specifically pertaining to the field of Southern African literature. This dissertation makes use of a postcolonial framework to examine Alexandra Fuller's work; Don't Let's Go to the Dogs Tonight: An African Childhood, Scribbling the Cat: Travels with an African Soldier and Cocktail Hour under the Tree of Forgetfulness. Fuller's memoirs are used to explore the function of innocence, nostalgia and memory in postcolonial white writing, the construction of whiteness and masculinity in Africa and the tragedy of discourse that is still pervasive in the portrayal of colonial notions of Africa as a playground for disaffected Westerners. Fuller's writing forms part of a Zimbabwean post-independence body of work that absolves whiteness of complicity and a history of colonial violence. Fuller's memoirs ultimately do not settle on a definitive point about Zimbabwe and its history of colonial dispossession or herself and settler colonial family.
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2023
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spelling oai:open.uct.ac.za:11427/37846 The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs Scott, Skye Boswell, Barbara Haarhoff, Mandisa English Language Alexandra Fuller's memoirs detail the lives of white settlers in Southern Africa (specifically Zimbabwe) from white-rule to post-independence. Her memoirs illustrate how the settler colonial dream of the promised land in Africa would ultimately fail to be fully realised and maintainable. Yet, through the portrayal of unexamined colonial discourse, Fuller continues to perpetuate a constructed notion of Africa. The publication of her first memoir, Don't Let's Go to the Dogs Tonight, coincided with international media coverage of President Robert Mugabe's contested land redistribution programme and told a similar story of the loss of their family farm. Written from her home in Wyoming in the United States, Fuller's work forms part of a white expatriate culture that writes home to Africa from a different continent. Previous works have failed to address the theme of settler colonialism in literature specifically pertaining to the field of Southern African literature. This dissertation makes use of a postcolonial framework to examine Alexandra Fuller's work; Don't Let's Go to the Dogs Tonight: An African Childhood, Scribbling the Cat: Travels with an African Soldier and Cocktail Hour under the Tree of Forgetfulness. Fuller's memoirs are used to explore the function of innocence, nostalgia and memory in postcolonial white writing, the construction of whiteness and masculinity in Africa and the tragedy of discourse that is still pervasive in the portrayal of colonial notions of Africa as a playground for disaffected Westerners. Fuller's writing forms part of a Zimbabwean post-independence body of work that absolves whiteness of complicity and a history of colonial violence. Fuller's memoirs ultimately do not settle on a definitive point about Zimbabwe and its history of colonial dispossession or herself and settler colonial family. 2023-04-28T09:25:46Z 2023-04-28T09:25:46Z 2022 2023-04-28T09:23:56Z Master Thesis Masters MA http://hdl.handle.net/11427/37846 eng application/pdf Department of English Language and Literature Faculty of Humanities
spellingShingle English Language
Scott, Skye
The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs
thesis_degree_str Master's
title The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs
title_full The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs
title_fullStr The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs
title_full_unstemmed The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs
title_short The unsettled settler: personal and discursive tragedy in Alexandra Fuller's memoirs
title_sort unsettled settler personal and discursive tragedy in alexandra fuller s memoirs
topic English Language
url http://hdl.handle.net/11427/37846
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