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The Emblematic Divide: Contemplating Reality, the Imaginary and Perception in Photographic Practices
In The Four Fundamental Concepts of Psychoanalysis, Seminar XI, the psychoanalyst Jacques Lacan (1977) recounts the ancient Greek parable of the contest between the Zeuxis and Parrhasios, two artists competing to paint the most convincing trompe l'oeil painting. In the first instance, Zeuxis painted...
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| Language: | English |
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Michaelis School of Fine Art
2024
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