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Umthonyama
Umthonyama explores the politics of black queer visibility and contested belonging within the evolving culture of amaXhosa people. Black queer performance practitioners, are practically and theoretically foregrounded in this thesis to demonstrate the sophisticated ways in which we become visible, cr...
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| Format: | Thesis |
| Language: | English |
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Little Theatre
2024
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| _version_ | 1867613762355200000 |
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| access_status_str | Open Access |
| author | Lallie, Lungile |
| author2 | Mtshali, Mbongeni |
| author_browse | Lallie, Lungile Mtshali, Mbongeni |
| author_facet | Mtshali, Mbongeni Lallie, Lungile |
| author_sort | Lallie, Lungile |
| collection | Thesis |
| description | Umthonyama explores the politics of black queer visibility and contested belonging within the evolving culture of amaXhosa people. Black queer performance practitioners, are practically and theoretically foregrounded in this thesis to demonstrate the sophisticated ways in which we become visible, create space, and locate ourselves within the culture. Black queer erasure is furthermore complicated by examining how Xhosa contemporary popular culture and music is influenced by Xhosa religious practice, which then becomes a fertile site for both the subversion and reimagining of new cultural identities and belonging. I draw chiefly on José Esteban Muñoz's concept of 'disidentification' and Viktor Shklyovsky's concept of 'defamiliarization' as theoretical and formal approaches in my enquiry. To these ends, my thesis production, Umthonyama --cyclical, durational live-art installation, work -- is stylized as a queer 'homily' that rehearses and celebrates a queer genealogy of black Xhosa identity felt and contested at the level of the intimate body. Citing the aesthetics and politics of black artists such as Athi-Patra Ruga, Thandiswa Mazwai, Camagwini, and Ntombethongo, the installation acts as the central site of experience, encounter, collision, for reframing neocolonial codes of spiritual, traditional, and popular modes of emerging Xhosa culture |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/39594 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:41:18.125Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Little Theatre |
| publisherStr | Little Theatre |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/39594 Umthonyama Lallie, Lungile Mtshali, Mbongeni Performance Umthonyama explores the politics of black queer visibility and contested belonging within the evolving culture of amaXhosa people. Black queer performance practitioners, are practically and theoretically foregrounded in this thesis to demonstrate the sophisticated ways in which we become visible, create space, and locate ourselves within the culture. Black queer erasure is furthermore complicated by examining how Xhosa contemporary popular culture and music is influenced by Xhosa religious practice, which then becomes a fertile site for both the subversion and reimagining of new cultural identities and belonging. I draw chiefly on José Esteban Muñoz's concept of 'disidentification' and Viktor Shklyovsky's concept of 'defamiliarization' as theoretical and formal approaches in my enquiry. To these ends, my thesis production, Umthonyama --cyclical, durational live-art installation, work -- is stylized as a queer 'homily' that rehearses and celebrates a queer genealogy of black Xhosa identity felt and contested at the level of the intimate body. Citing the aesthetics and politics of black artists such as Athi-Patra Ruga, Thandiswa Mazwai, Camagwini, and Ntombethongo, the installation acts as the central site of experience, encounter, collision, for reframing neocolonial codes of spiritual, traditional, and popular modes of emerging Xhosa culture 2024-05-13T10:25:52Z 2024-05-13T10:25:52Z 2023 2024-05-13T10:11:29Z Thesis / Dissertation Masters Masters http://hdl.handle.net/11427/39594 eng application/pdf Little Theatre Faculty of Humanities |
| spellingShingle | Performance Lallie, Lungile Umthonyama |
| thesis_degree_str | Master's |
| title | Umthonyama |
| title_full | Umthonyama |
| title_fullStr | Umthonyama |
| title_full_unstemmed | Umthonyama |
| title_short | Umthonyama |
| title_sort | umthonyama |
| topic | Performance |
| url | http://hdl.handle.net/11427/39594 |
| work_keys_str_mv | AT lallielungile umthonyama |