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'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism

The imaginary of the Anthropocene as an environmental apocalypse facing the planet and calls for ecological literature from the perspective of the Global North masks the current environmental crisis in parts of the world that are “already living the apocalypse”. Likewise, science fiction has been hi...

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Main Author: Young, Lisbeth
Other Authors: Moji, Polo
Format: Thesis
Language:English
Published: Department of English Language and Literature 2024
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access_status_str Open Access
author Young, Lisbeth
author2 Moji, Polo
author_browse Moji, Polo
Young, Lisbeth
author_facet Moji, Polo
Young, Lisbeth
author_sort Young, Lisbeth
collection Thesis
description The imaginary of the Anthropocene as an environmental apocalypse facing the planet and calls for ecological literature from the perspective of the Global North masks the current environmental crisis in parts of the world that are “already living the apocalypse”. Likewise, science fiction has been historically centred in the West in its interrogation of apocalyptic scenarios. This thesis examines how Africanfuturism, a term coined by Nnedi Okorafor in 2019 to define a new African-focussed science fiction, reframes the imaginaries of the Anthropocene as a global environmental apocalypse from the perspective of the Global South. This study combines an analysis of Africanfuturist science fiction tropes and narrative strategies with an ecocritical reading informed by Rob Nixon's notion of “slow violence” to re-frame the urgency of climate change within the context of postcolonial Nigeria. Reading beyond representations of the current environmental crisis through genres such as petro-fiction, I concentrate on Tade Thompson's Wormwood trilogy (2018–2019), in conversation with other contemporary Africanfuturist novels set in Nigeria, namely Nnedi Okorafor's Lagoon (2014), After the Flare (2017) by Deji Bryce Olukotun and Suyi Davies Okungbowa's David Mogo, Godhunter (2019). I argue that Africanfuturism allows for the re-imagination of the ecological crisis through depictions of the entanglement of the posthuman and nonhuman and the setting of a post-apocalyptic world providing a mechanism through which the extent of the crisis can be realised.
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2024
publishDateRange 2024
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spelling oai:open.uct.ac.za:11427/39938 'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism Young, Lisbeth Moji, Polo English Language and Literature The imaginary of the Anthropocene as an environmental apocalypse facing the planet and calls for ecological literature from the perspective of the Global North masks the current environmental crisis in parts of the world that are “already living the apocalypse”. Likewise, science fiction has been historically centred in the West in its interrogation of apocalyptic scenarios. This thesis examines how Africanfuturism, a term coined by Nnedi Okorafor in 2019 to define a new African-focussed science fiction, reframes the imaginaries of the Anthropocene as a global environmental apocalypse from the perspective of the Global South. This study combines an analysis of Africanfuturist science fiction tropes and narrative strategies with an ecocritical reading informed by Rob Nixon's notion of “slow violence” to re-frame the urgency of climate change within the context of postcolonial Nigeria. Reading beyond representations of the current environmental crisis through genres such as petro-fiction, I concentrate on Tade Thompson's Wormwood trilogy (2018–2019), in conversation with other contemporary Africanfuturist novels set in Nigeria, namely Nnedi Okorafor's Lagoon (2014), After the Flare (2017) by Deji Bryce Olukotun and Suyi Davies Okungbowa's David Mogo, Godhunter (2019). I argue that Africanfuturism allows for the re-imagination of the ecological crisis through depictions of the entanglement of the posthuman and nonhuman and the setting of a post-apocalyptic world providing a mechanism through which the extent of the crisis can be realised. 2024-06-19T07:48:06Z 2024-06-19T07:48:06Z 2023 2024-06-06T13:44:08Z Thesis / Dissertation Masters MA http://hdl.handle.net/11427/39938 eng application/pdf Department of English Language and Literature Faculty of Humanities
spellingShingle English Language and Literature
Young, Lisbeth
'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism
thesis_degree_str Master's
title 'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism
title_full 'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism
title_fullStr 'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism
title_full_unstemmed 'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism
title_short 'The end of the world as we know it': imagining new possibilities for the Anthropocene through a study of Nigerian Africanfuturism
title_sort the end of the world as we know it imagining new possibilities for the anthropocene through a study of nigerian africanfuturism
topic English Language and Literature
url http://hdl.handle.net/11427/39938
work_keys_str_mv AT younglisbeth theendoftheworldasweknowitimaginingnewpossibilitiesfortheanthropocenethroughastudyofnigerianafricanfuturism