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Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices
The traditional musical practices of the Nguni people of Southern Africa are of a social nature, directed at fulfilling specific functions. Divination music in particular is of no exception, and it is intricately linked to the methodology and religious symbolism employed by Southern Nguni diviners,...
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| Format: | Thesis |
| Language: | English |
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College of Music
2024
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| _version_ | 1867613221423153152 |
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| access_status_str | Open Access |
| author | Stinson, Kathryn Lee |
| author_browse | Stinson, Kathryn Lee |
| author_facet | Stinson, Kathryn Lee |
| author_sort | Stinson, Kathryn Lee |
| collection | Thesis |
| description | The traditional musical practices of the Nguni people of Southern Africa are of a social nature, directed at fulfilling specific functions. Divination music in particular is of no exception, and it is intricately linked to the methodology and religious symbolism employed by Southern Nguni diviners, providing proof of the role of the ancestors as protectors of health and welfare of their living descendants. Divination songs are a means of artistic expression and communication between the ancestors and the people, and are performed in the context of rituals in which they convey special meanings and serve a certain purpose. This study is concerned with structures of divination and several methods employed by Nguni diviners (ie. of Zulu, Xhosa and Swazi origin). My analysis of the training of diviners and the examination of particular rituals performed by certain Southern Nguni diviners, is carried out in the context of their world view and systems of beliefs, as documented in current anthropological literature and in the words of my informants. I also attempt to examine innovations arising from cross-culturalisation, which find expression in such ritual action. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/39999 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:41.376Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/39999 Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices Stinson, Kathryn Lee Music The traditional musical practices of the Nguni people of Southern Africa are of a social nature, directed at fulfilling specific functions. Divination music in particular is of no exception, and it is intricately linked to the methodology and religious symbolism employed by Southern Nguni diviners, providing proof of the role of the ancestors as protectors of health and welfare of their living descendants. Divination songs are a means of artistic expression and communication between the ancestors and the people, and are performed in the context of rituals in which they convey special meanings and serve a certain purpose. This study is concerned with structures of divination and several methods employed by Nguni diviners (ie. of Zulu, Xhosa and Swazi origin). My analysis of the training of diviners and the examination of particular rituals performed by certain Southern Nguni diviners, is carried out in the context of their world view and systems of beliefs, as documented in current anthropological literature and in the words of my informants. I also attempt to examine innovations arising from cross-culturalisation, which find expression in such ritual action. 2024-06-20T12:44:39Z 2024-06-20T12:44:39Z 1998 2024-06-19T11:28:36Z Thesis / Dissertation Masters Masters http://hdl.handle.net/11427/39999 eng application/pdf College of Music Faculty of Humanities |
| spellingShingle | Music Stinson, Kathryn Lee Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices |
| thesis_degree_str | Master's |
| title | Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices |
| title_full | Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices |
| title_fullStr | Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices |
| title_full_unstemmed | Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices |
| title_short | Divination processes : an examination of the incorporated belief systems of several Nguni diviners and the subsequent effects on the symbolism, form, structure and style of the music associated with their ritual practices |
| title_sort | divination processes an examination of the incorporated belief systems of several nguni diviners and the subsequent effects on the symbolism form structure and style of the music associated with their ritual practices |
| topic | Music |
| url | http://hdl.handle.net/11427/39999 |
| work_keys_str_mv | AT stinsonkathrynlee divinationprocessesanexaminationoftheincorporatedbeliefsystemsofseveralngunidivinersandthesubsequenteffectsonthesymbolismformstructureandstyleofthemusicassociatedwiththeirritualpractices |