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Timbre and tone-painting in the orchestration of a song cycle

The portfolio of original compositions, orchestration project and explication are presented here as a partially integrated whole. While Summer Nights In Between for clarinet, alto saxophone, bass clarinet, double bass and piano is presented as an independent work, the song cycle for soprano and pian...

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Main Author: Wootton, Juliet
Other Authors: Hofmeyr, Hendrik
Format: Thesis
Language:English
Published: College of Music 2024
Subjects:
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access_status_str Open Access
author Wootton, Juliet
author2 Hofmeyr, Hendrik
author_browse Hofmeyr, Hendrik
Wootton, Juliet
author_facet Hofmeyr, Hendrik
Wootton, Juliet
author_sort Wootton, Juliet
collection Thesis
description The portfolio of original compositions, orchestration project and explication are presented here as a partially integrated whole. While Summer Nights In Between for clarinet, alto saxophone, bass clarinet, double bass and piano is presented as an independent work, the song cycle for soprano and piano, Songs of Light and Loss, on five poems from Fiona Zerbst's “In Praise of Hotel Rooms,” was subsequently orchestrated as part of the creative project, together with an explication of the considerations which influenced the choices made in the latter process. Brief explanations of the compositional and stylistic aim of each of the songs lead to discussions of how this was translated from piano to orchestra. Analyses of orchestration and instrumentation detail the use of timbre and texture in conveying the mood and meaning of the poetic text.
format Thesis
id oai:open.uct.ac.za:11427/40196
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:45:42.850Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2024
publishDateRange 2024
publishDateSort 2024
publisher College of Music
publisherStr College of Music
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/40196 Timbre and tone-painting in the orchestration of a song cycle Wootton, Juliet Hofmeyr, Hendrik Composition The portfolio of original compositions, orchestration project and explication are presented here as a partially integrated whole. While Summer Nights In Between for clarinet, alto saxophone, bass clarinet, double bass and piano is presented as an independent work, the song cycle for soprano and piano, Songs of Light and Loss, on five poems from Fiona Zerbst's “In Praise of Hotel Rooms,” was subsequently orchestrated as part of the creative project, together with an explication of the considerations which influenced the choices made in the latter process. Brief explanations of the compositional and stylistic aim of each of the songs lead to discussions of how this was translated from piano to orchestra. Analyses of orchestration and instrumentation detail the use of timbre and texture in conveying the mood and meaning of the poetic text. 2024-07-02T10:12:27Z 2024-07-02T10:12:27Z 2023 2024-06-06T13:53:23Z Thesis / Dissertation Masters Master of Music http://hdl.handle.net/11427/40196 eng application/pdf College of Music Faculty of Humanities
spellingShingle Composition
Wootton, Juliet
Timbre and tone-painting in the orchestration of a song cycle
thesis_degree_str Master's
title Timbre and tone-painting in the orchestration of a song cycle
title_full Timbre and tone-painting in the orchestration of a song cycle
title_fullStr Timbre and tone-painting in the orchestration of a song cycle
title_full_unstemmed Timbre and tone-painting in the orchestration of a song cycle
title_short Timbre and tone-painting in the orchestration of a song cycle
title_sort timbre and tone painting in the orchestration of a song cycle
topic Composition
url http://hdl.handle.net/11427/40196
work_keys_str_mv AT woottonjuliet timbreandtonepaintingintheorchestrationofasongcycle