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Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection
This study uses the Owl House in Nieu Bethesda as an exemplar for interrogating the possibilities of digital curation in South Africa. It draws on a conceptual framework encompassing the digital humanities, museology, Baudrillard's notion of simulation, as well as contemporary research and similar s...
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| Format: | Thesis |
| Language: | English |
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Department of Knowledge and Information Stewardship
2024
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| _version_ | 1867613274084737024 |
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| access_status_str | Open Access |
| author | Schäfer, Sarah |
| author2 | Higgs, Richard |
| author_browse | Higgs, Richard Schäfer, Sarah |
| author_facet | Higgs, Richard Schäfer, Sarah |
| author_sort | Schäfer, Sarah |
| collection | Thesis |
| description | This study uses the Owl House in Nieu Bethesda as an exemplar for interrogating the possibilities of digital curation in South Africa. It draws on a conceptual framework encompassing the digital humanities, museology, Baudrillard's notion of simulation, as well as contemporary research and similar studies. Digital curation of a Visionary Environment, which falls into the ambit of Outsider Art, is a largely unprecedented practice, especially in the context of South Africa. This qualitative study is situated in a social constructivist paradigm and uses elements of a phenomenological approach. As an instance of qualitative research, at the heart of this study is an emphasis on understanding how people construct their realities and interpret their experiences. Interpreting and viewing digital artefacts outside of a museum are not the same as viewing them in real life. This inevitably changes the way that someone experiences and interprets a collection. The challenge of digitising a museum is thus to understand what this transformation process (physical to digital) does to the integrity of the original collection. Digitisation within museums offers so many possibilities, especially in the context of sitespecific museums that are largely inaccessible like the Owl House. A digitally curated collection of high quality digital media can allow for a museum like the Owl House to be visited digitally, and moreover, that visitors can interpret a museum experience that is rich and layered. The data for this study was collected from interviews with participants who engaged with a digitised sub-collection of the Owl House - The Long Bedroom Collection, and after an initial presentation and analysis of the data, emerging themes were discussed |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/40425 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:33:31.121Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Department of Knowledge and Information Stewardship |
| publisherStr | Department of Knowledge and Information Stewardship |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/40425 Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection Schäfer, Sarah Higgs, Richard Library and Information Studies This study uses the Owl House in Nieu Bethesda as an exemplar for interrogating the possibilities of digital curation in South Africa. It draws on a conceptual framework encompassing the digital humanities, museology, Baudrillard's notion of simulation, as well as contemporary research and similar studies. Digital curation of a Visionary Environment, which falls into the ambit of Outsider Art, is a largely unprecedented practice, especially in the context of South Africa. This qualitative study is situated in a social constructivist paradigm and uses elements of a phenomenological approach. As an instance of qualitative research, at the heart of this study is an emphasis on understanding how people construct their realities and interpret their experiences. Interpreting and viewing digital artefacts outside of a museum are not the same as viewing them in real life. This inevitably changes the way that someone experiences and interprets a collection. The challenge of digitising a museum is thus to understand what this transformation process (physical to digital) does to the integrity of the original collection. Digitisation within museums offers so many possibilities, especially in the context of sitespecific museums that are largely inaccessible like the Owl House. A digitally curated collection of high quality digital media can allow for a museum like the Owl House to be visited digitally, and moreover, that visitors can interpret a museum experience that is rich and layered. The data for this study was collected from interviews with participants who engaged with a digitised sub-collection of the Owl House - The Long Bedroom Collection, and after an initial presentation and analysis of the data, emerging themes were discussed 2024-07-23T06:57:57Z 2024-07-23T06:57:57Z 2017 2024-07-23T06:56:12Z Thesis / Dissertation Masters MPhil http://hdl.handle.net/11427/40425 eng application/pdf Department of Knowledge and Information Stewardship Faculty of Humanities |
| spellingShingle | Library and Information Studies Schäfer, Sarah Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection |
| thesis_degree_str | Master's |
| title | Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection |
| title_full | Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection |
| title_fullStr | Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection |
| title_full_unstemmed | Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection |
| title_short | Perceptions and experiences of selected participants engaging with a digitally curated environmental Outsider Art collection |
| title_sort | perceptions and experiences of selected participants engaging with a digitally curated environmental outsider art collection |
| topic | Library and Information Studies |
| url | http://hdl.handle.net/11427/40425 |
| work_keys_str_mv | AT schafersarah perceptionsandexperiencesofselectedparticipantsengagingwithadigitallycuratedenvironmentaloutsiderartcollection |