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An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface
The work includes a variety of approaches varying from the use of images selected from the media and found objects to objects transformed or manufactured by the artist. A major formal concern is the integration of collage or assemblage with the painted surface. Subject matter is drawn from persona]...
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| Format: | Thesis |
| Language: | English |
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Michaelis School of Fine Art
2024
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| _version_ | 1867613190279397376 |
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| access_status_str | Open Access |
| author | Siebert, Kim |
| author2 | Delport, Peggy |
| author_browse | Delport, Peggy Siebert, Kim |
| author_facet | Delport, Peggy Siebert, Kim |
| author_sort | Siebert, Kim |
| collection | Thesis |
| description | The work includes a variety of approaches varying from the use of images selected from the media and found objects to objects transformed or manufactured by the artist. A major formal concern is the integration of collage or assemblage with the painted surface. Subject matter is drawn from persona] preoccupations with biographical details, womanhood and social and historical context. The format and scale of the works vary and are determined by the content. The practical body of work is accompanied by a short dissertation which discusses the nature of the formal mode used and its relationship to the content of the work. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/40503 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:12.136Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2024 |
| publishDateRange | 2024 |
| publishDateSort | 2024 |
| publisher | Michaelis School of Fine Art |
| publisherStr | Michaelis School of Fine Art |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/40503 An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface Siebert, Kim Delport, Peggy Fine Art The work includes a variety of approaches varying from the use of images selected from the media and found objects to objects transformed or manufactured by the artist. A major formal concern is the integration of collage or assemblage with the painted surface. Subject matter is drawn from persona] preoccupations with biographical details, womanhood and social and historical context. The format and scale of the works vary and are determined by the content. The practical body of work is accompanied by a short dissertation which discusses the nature of the formal mode used and its relationship to the content of the work. 2024-08-13T13:06:05Z 2024-08-13T13:06:05Z 1984 2024-07-22T13:28:22Z Thesis / Dissertation Masters MFA http://hdl.handle.net/11427/40503 eng application/pdf Michaelis School of Fine Art Faculty of Humanities |
| spellingShingle | Fine Art Siebert, Kim An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| thesis_degree_str | Master's |
| title | An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| title_full | An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| title_fullStr | An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| title_full_unstemmed | An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| title_short | An investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| title_sort | investigation into the interrelationship between the formal means of collage and assemblage and the painted surface |
| topic | Fine Art |
| url | http://hdl.handle.net/11427/40503 |
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