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Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived thro...
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| Format: | Thesis |
| Language: | English |
| Published: |
Michaelis School of Fine Art
2025
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| _version_ | 1867613284051451904 |
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| access_status_str | Open Access |
| author | Maduna, Lerato |
| author2 | Makhubu, Nomusa |
| author_browse | Maduna, Lerato Makhubu, Nomusa |
| author_facet | Makhubu, Nomusa Maduna, Lerato |
| author_sort | Maduna, Lerato |
| collection | Thesis |
| description | Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/41033 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:33:41.762Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Michaelis School of Fine Art |
| publisherStr | Michaelis School of Fine Art |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/41033 Hambo buza unyoko: on future Real conditionals Maduna, Lerato Makhubu, Nomusa Mahashe, George photographic archives dehumanising conditions culture family experience Drawing from the photographic archives that belonged to my mother Lizzie Maduna (née Moloi), my late grandmother Elizabeth Masesi Moloi (née Dlamini), my late great aunt, Goguse Letta Ntshangase (née Moloi), I re-envision how the women in my family performed futurity. Although these women lived through colonial and apartheid oppression, these photographic archives show how they created liberatory worlds despite the violence they lived through. My creative work surfaces these archives as a matriarchive, which I argue were created in resistance to the oppressive and dehumanising conditions as a performance of future real conditionals. 2025-02-27T11:32:37Z 2025-02-27T11:32:37Z 2024 2025-02-27T09:38:40Z Thesis / Dissertation Masters MA http://hdl.handle.net/11427/41033 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town |
| spellingShingle | photographic archives dehumanising conditions culture family experience Maduna, Lerato Hambo buza unyoko: on future Real conditionals |
| thesis_degree_str | Master's |
| title | Hambo buza unyoko: on future Real conditionals |
| title_full | Hambo buza unyoko: on future Real conditionals |
| title_fullStr | Hambo buza unyoko: on future Real conditionals |
| title_full_unstemmed | Hambo buza unyoko: on future Real conditionals |
| title_short | Hambo buza unyoko: on future Real conditionals |
| title_sort | hambo buza unyoko on future real conditionals |
| topic | photographic archives dehumanising conditions culture family experience |
| url | http://hdl.handle.net/11427/41033 |
| work_keys_str_mv | AT madunalerato hambobuzaunyokoonfuturerealconditionals |