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Vision and imagination in Jewish mystical texts

The object of this essay is to critically analyse the historically accepted view of scholars and historians that Judaism is an auditory tradition and to affirm and verify a more modern view that a visual tradition has always existed within Judaism. The focus will be on two main types of the visual p...

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Main Author: Bagraim, Abigail Sarah
Format: Thesis
Language:English
English
Published: Department of Religious Studies 2025
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access_status_str Open Access
author Bagraim, Abigail Sarah
author_browse Bagraim, Abigail Sarah
author_facet Bagraim, Abigail Sarah
author_sort Bagraim, Abigail Sarah
collection Thesis
description The object of this essay is to critically analyse the historically accepted view of scholars and historians that Judaism is an auditory tradition and to affirm and verify a more modern view that a visual tradition has always existed within Judaism. The focus will be on two main types of the visual phenomenon. Firstly, representational images will be discussed, basing the argument on the rich artistic heritage of the Jewish people. Secondly, various otherworldly visions will be examined, with special reference to visions of the soul whilst in and out of the body. The soul while still in the body is able to have extraordinary visions. These spiritual visions are visible through the faculty of the imagination. They take many forms, including visions of the kavod (glory of G-d) and various other prophetic visions. When the soul actually leaves the body these other-worldly visions of the journeys to heaven and hell give us a glimpse into strange and wonderful realms. The debate will commence with a discussion of the views of the historical writers and of their justification for refusing to recognise the existence of a visual tradition within Judaism on the austere basis that to do so would offend against the prohibition of the Second Commandment not to create images of G-d. The Israelites were set in their historical context with many close neighbours who embraced what they considered to be heathen and idolatrous practices. Because of this they had to become discerning with regard to the upholding of their laws and customs and this led to the development within Judaism of manifold laws and regulations against idol worship. This attitude seemed to spread as a continual thread running throughout Jewish history and the subject of Jewish representational images continues to be a controversial issue. It is as a result of the ban that was sometimes placed on Jewish representational art that the refusal to accept a vibrant Jewish visual tradition has persisted.
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institution University of Cape Town (South Africa)
language English
eng
last_indexed 2026-06-10T12:34:36.552Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2025
publishDateRange 2025
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spelling oai:open.uct.ac.za:11427/41501 Vision and imagination in Jewish mystical texts Bagraim, Abigail Sarah Religious Studies The object of this essay is to critically analyse the historically accepted view of scholars and historians that Judaism is an auditory tradition and to affirm and verify a more modern view that a visual tradition has always existed within Judaism. The focus will be on two main types of the visual phenomenon. Firstly, representational images will be discussed, basing the argument on the rich artistic heritage of the Jewish people. Secondly, various otherworldly visions will be examined, with special reference to visions of the soul whilst in and out of the body. The soul while still in the body is able to have extraordinary visions. These spiritual visions are visible through the faculty of the imagination. They take many forms, including visions of the kavod (glory of G-d) and various other prophetic visions. When the soul actually leaves the body these other-worldly visions of the journeys to heaven and hell give us a glimpse into strange and wonderful realms. The debate will commence with a discussion of the views of the historical writers and of their justification for refusing to recognise the existence of a visual tradition within Judaism on the austere basis that to do so would offend against the prohibition of the Second Commandment not to create images of G-d. The Israelites were set in their historical context with many close neighbours who embraced what they considered to be heathen and idolatrous practices. Because of this they had to become discerning with regard to the upholding of their laws and customs and this led to the development within Judaism of manifold laws and regulations against idol worship. This attitude seemed to spread as a continual thread running throughout Jewish history and the subject of Jewish representational images continues to be a controversial issue. It is as a result of the ban that was sometimes placed on Jewish representational art that the refusal to accept a vibrant Jewish visual tradition has persisted. 2025-07-01T16:29:06Z 2025-07-01T16:29:06Z 1998 2024-07-11T08:37:31Z Thesis / Dissertation Masters MSocSci http://hdl.handle.net/11427/41501 en eng application/pdf Department of Religious Studies Faculty of Humanities University of Cape Town
spellingShingle Religious Studies
Bagraim, Abigail Sarah
Vision and imagination in Jewish mystical texts
thesis_degree_str Master's
title Vision and imagination in Jewish mystical texts
title_full Vision and imagination in Jewish mystical texts
title_fullStr Vision and imagination in Jewish mystical texts
title_full_unstemmed Vision and imagination in Jewish mystical texts
title_short Vision and imagination in Jewish mystical texts
title_sort vision and imagination in jewish mystical texts
topic Religious Studies
url http://hdl.handle.net/11427/41501
work_keys_str_mv AT bagraimabigailsarah visionandimaginationinjewishmysticaltexts