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A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque

The purpose of this thesis is not to give instant solutions to the problems of Italian or French ornamentation. Instead, a survey is made of the ornaments and ornament tables of the important composers, and conclusions are drawn therefrom. What is of importance, is to distinguish between those cases...

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Main Author: Viljoen, Willem Diederik
Other Authors: Okedi, John
Format: Thesis
Language:English
English
Published: College of Music 2026
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access_status_str Open Access
author Viljoen, Willem Diederik
author2 Okedi, John
author_browse Okedi, John
Viljoen, Willem Diederik
author_facet Okedi, John
Viljoen, Willem Diederik
author_sort Viljoen, Willem Diederik
collection Thesis
description The purpose of this thesis is not to give instant solutions to the problems of Italian or French ornamentation. Instead, a survey is made of the ornaments and ornament tables of the important composers, and conclusions are drawn therefrom. What is of importance, is to distinguish between those cases which are determined by fixed principles (e.g., ornament tables), founded on historical evidence, and those in which the taste and judgement of the player plays a great role. One should know how to identify those practices which are foreign or stem from a later period, and this can only be done once the performer has a knowledge of the composer, the music performed and the general practices of the period.
format Thesis
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institution University of Cape Town (South Africa)
language English
eng
last_indexed 2026-06-10T12:32:24.523Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2026
publishDateRange 2026
publishDateSort 2026
publisher College of Music
publisherStr College of Music
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/43103 A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque Viljoen, Willem Diederik Okedi, John Organic Music Renaissance Boroque The purpose of this thesis is not to give instant solutions to the problems of Italian or French ornamentation. Instead, a survey is made of the ornaments and ornament tables of the important composers, and conclusions are drawn therefrom. What is of importance, is to distinguish between those cases which are determined by fixed principles (e.g., ornament tables), founded on historical evidence, and those in which the taste and judgement of the player plays a great role. One should know how to identify those practices which are foreign or stem from a later period, and this can only be done once the performer has a knowledge of the composer, the music performed and the general practices of the period. 2026-04-21T07:50:45Z 2026-04-21T07:50:45Z 2023 2026-04-20T13:35:59Z Thesis / Dissertation Masters Masters http://hdl.handle.net/11427/43103 en eng application/pdf College of Music Faculty of Humanities University of Cape Town
spellingShingle Organic Music
Renaissance
Boroque
Viljoen, Willem Diederik
A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque
thesis_degree_str Master's
title A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque
title_full A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque
title_fullStr A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque
title_full_unstemmed A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque
title_short A survey of Italian and French ornamentation in organ music of the Renaissance and Baroque
title_sort survey of italian and french ornamentation in organ music of the renaissance and baroque
topic Organic Music
Renaissance
Boroque
url http://hdl.handle.net/11427/43103
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