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This thesis investigates the eco-erotic belonging of Land and body through performance practices as acts of embodied decolonisation and re-indigenisation through the Khoisan hydromythic figuration of Die Waterslang (The Water Snake). Drawing on ritual, trance and other tools of visceral performance-...
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| Format: | Thesis |
| Language: | English |
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Centre for Theatre, Dance and Performance Studies
2026
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