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The Development of the Passacaglia for Organ through German and South African Composers
Since the 19th century, the passacaglia has been associated with a musical form that includes a set of ground-bass or ostinato variations, however, its beginnings can be traced back to Spain in the early 17th century where it was termed pasacalle. The meaning of the term pasacalle (later passacaglia...
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| Format: | Thesis |
| Language: | English English |
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College of Music
2026
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| _version_ | 1869483660941459456 |
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| access_status_str | Open Access |
| author | Adams, Mikyle |
| author2 | Sandmeier, Rebekka |
| author_browse | Adams, Mikyle Sandmeier, Rebekka |
| author_facet | Sandmeier, Rebekka Adams, Mikyle |
| author_sort | Adams, Mikyle |
| collection | Thesis |
| description | Since the 19th century, the passacaglia has been associated with a musical form that includes a set of ground-bass or ostinato variations, however, its beginnings can be traced back to Spain in the early 17th century where it was termed pasacalle. The meaning of the term pasacalle (later passacaglia) is a combination of two Spanish words, pasar which translates as ‘to pass' and calle, which translates as ‘street'. When it emerged in France and Italy, the term initially alluded to the ritornellos improvised between songs. It is in Italy that the term passacaglia was established, initially as passacaglio which, at the time, referred to a single statement of a chord scheme and passacagli, the plural of it which referred to a succession or collection of multiple statements. However, these terms, including the feminine term passacaglia, and its other spelling variations, were utilised with minimal distinction throughout the century |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/43367 |
| institution | University of Cape Town (South Africa) |
| language | English eng |
| last_indexed | 2026-07-01T04:02:32.380Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2026 |
| publishDateRange | 2026 |
| publishDateSort | 2026 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/43367 The Development of the Passacaglia for Organ through German and South African Composers Adams, Mikyle Sandmeier, Rebekka passacaglia German composers South African composers Since the 19th century, the passacaglia has been associated with a musical form that includes a set of ground-bass or ostinato variations, however, its beginnings can be traced back to Spain in the early 17th century where it was termed pasacalle. The meaning of the term pasacalle (later passacaglia) is a combination of two Spanish words, pasar which translates as ‘to pass' and calle, which translates as ‘street'. When it emerged in France and Italy, the term initially alluded to the ritornellos improvised between songs. It is in Italy that the term passacaglia was established, initially as passacaglio which, at the time, referred to a single statement of a chord scheme and passacagli, the plural of it which referred to a succession or collection of multiple statements. However, these terms, including the feminine term passacaglia, and its other spelling variations, were utilised with minimal distinction throughout the century 2026-06-24T08:33:46Z 2026-06-24T08:33:46Z 2026 2026-06-24T08:26:33Z Thesis / Dissertation Masters MMus http://hdl.handle.net/11427/43367 en eng application/pdf College of Music Faculty of Humanities University of Cape Town |
| spellingShingle | passacaglia German composers South African composers Adams, Mikyle The Development of the Passacaglia for Organ through German and South African Composers |
| thesis_degree_str | Master's |
| title | The Development of the Passacaglia for Organ through German and South African Composers |
| title_full | The Development of the Passacaglia for Organ through German and South African Composers |
| title_fullStr | The Development of the Passacaglia for Organ through German and South African Composers |
| title_full_unstemmed | The Development of the Passacaglia for Organ through German and South African Composers |
| title_short | The Development of the Passacaglia for Organ through German and South African Composers |
| title_sort | development of the passacaglia for organ through german and south african composers |
| topic | passacaglia German composers South African composers |
| url | http://hdl.handle.net/11427/43367 |
| work_keys_str_mv | AT adamsmikyle thedevelopmentofthepassacagliafororganthroughgermanandsouthafricancomposers AT adamsmikyle developmentofthepassacagliafororganthroughgermanandsouthafricancomposers |