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Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives

Bibliography: 71-75.

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Bibliographic Details
Main Author: Hayden, Susan
Other Authors: Sole, Kelwyn
Format: Thesis
Language:English
Published: Department of English Language and Literature 2014
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access_status_str Open Access
author Hayden, Susan
author2 Sole, Kelwyn
author_browse Hayden, Susan
Sole, Kelwyn
author_facet Sole, Kelwyn
Hayden, Susan
author_sort Hayden, Susan
collection Thesis
description Bibliography: 71-75.
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institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:51:41.652Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/7919 Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives Hayden, Susan Sole, Kelwyn English Language and Literature Bibliography: 71-75. The name 'Herman Charles Bosman' is a familiar one to South Africans, and his narratives have been celebrated widely for their skilful construction, their humour and the unique way in which they capture a segment of South African rural life. While Bosman is regarded as a significant figure in South African literature, it is less commonly accepted that his narratives were more than cleverly devised pieces of social realism. In the past, critics have largely either regarded Bosman's work as existing 'outside' of politics - even commending him for his ability to disregard the 'obsession' with politics reflected in the texts of other South African writers - or they have criticised him for producing 'racist' narratives which vindicated white supremacy. There are a number of reasons why Bosman's work was not regarded as an important constituent in the literary struggle against racial discrimination in South Africa, not the least being that he was an Afrikaner. His ethnic identity, combined with the fact that his writing was difficult to categorise because it was so different from the other literature being produced at that time, meant that his narratives have often been misunderstood, and their social message largely ignored. My argument, in this thesis, is that the particular and very real forms of censorship placed on South African writers beg a closer look not only at what is being said, but the w 2014-10-02T10:00:12Z 2014-10-02T10:00:12Z 2002 Master Thesis Masters MA http://hdl.handle.net/11427/7919 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Language and Literature
Hayden, Susan
Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives
thesis_degree_str Master's
title Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives
title_full Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives
title_fullStr Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives
title_full_unstemmed Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives
title_short Dancing the Tiekiedraai : a socio-historic approach to Bosman's bushveld narratives
title_sort dancing the tiekiedraai a socio historic approach to bosman s bushveld narratives
topic English Language and Literature
url http://hdl.handle.net/11427/7919
work_keys_str_mv AT haydensusan dancingthetiekiedraaiasociohistoricapproachtobosmansbushveldnarratives