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A study of a selection of Benjamin Britten's vocal music for mezzo-soprano

Includes bibliographical references (leaves 96-100).

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Bibliographic Details
Main Author: Harris, Julie
Other Authors: Hofmeyr, Hendrik
Format: Thesis
Language:English
Published: College of Music 2014
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access_status_str Open Access
author Harris, Julie
author2 Hofmeyr, Hendrik
author_browse Harris, Julie
Hofmeyr, Hendrik
author_facet Hofmeyr, Hendrik
Harris, Julie
author_sort Harris, Julie
collection Thesis
description Includes bibliographical references (leaves 96-100).
format Thesis
id oai:open.uct.ac.za:11427/8143
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:49:26.891Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher College of Music
publisherStr College of Music
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/8143 A study of a selection of Benjamin Britten's vocal music for mezzo-soprano Harris, Julie Hofmeyr, Hendrik Performance and Dissertation Includes bibliographical references (leaves 96-100). The present study, which will investigate three works of Benjamin Britten for mezzosopranos, is envisaged as an aid to interpreters wishing to gain further insights into these works. The study focuses on three vocal works of varying genre: The Rape of Lucretia, A Charm of Lullabies, and Phaedra. The investigation of each work starts with the historical background, in wh ich Britten's life and career at the time of the work is discussed briefly, including reviews of the work. The performers and librettists, who were involved in the composition, are also discussed. Secondly, an analytical survey is done on the text and music for each work. Brief background notes on the writers and poets, and on their style, influences and intentions, are included. The historical background of each text is explored, as well as the role of the character within the narrative, dramatic or literary/poetic context. The musical characteristics of each work are highlighted, which reveal stylistic aspects of Britten's writing. The influence of each work's genre (chamber opera, song cycle and solo cantata) on the interpretation of text and character is discussed, as well as how the voice is accompanied. Lastly, a comparative survey of different recorded portrayals of each work looks at the background history, and approach of the various performers, as well as their advice to other performers. 2014-10-06T11:31:55Z 2014-10-06T11:31:55Z 2007 Master Thesis Masters MMus http://hdl.handle.net/11427/8143 eng application/pdf College of Music Faculty of Humanities University of Cape Town
spellingShingle Performance and Dissertation
Harris, Julie
A study of a selection of Benjamin Britten's vocal music for mezzo-soprano
thesis_degree_str Master's
title A study of a selection of Benjamin Britten's vocal music for mezzo-soprano
title_full A study of a selection of Benjamin Britten's vocal music for mezzo-soprano
title_fullStr A study of a selection of Benjamin Britten's vocal music for mezzo-soprano
title_full_unstemmed A study of a selection of Benjamin Britten's vocal music for mezzo-soprano
title_short A study of a selection of Benjamin Britten's vocal music for mezzo-soprano
title_sort study of a selection of benjamin britten s vocal music for mezzo soprano
topic Performance and Dissertation
url http://hdl.handle.net/11427/8143
work_keys_str_mv AT harrisjulie astudyofaselectionofbenjaminbrittensvocalmusicformezzosoprano
AT harrisjulie studyofaselectionofbenjaminbrittensvocalmusicformezzosoprano