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On Distance: From art history to Ernest Mancoba

In this thesis the central narratives of Western art history, specifically those related to modernism and African art, are considered in light of a climate of criticism concentrated over the past thirty years in Western and South African an historiography. In considering complexities of interpretati...

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Main Author: Ralphs, SCT
Other Authors: Godby, Michael
Format: Thesis
Language:English
Published: Michaelis School of Fine Art 2014
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access_status_str Open Access
author Ralphs, SCT
author2 Godby, Michael
author_browse Godby, Michael
Ralphs, SCT
author_facet Godby, Michael
Ralphs, SCT
author_sort Ralphs, SCT
collection Thesis
description In this thesis the central narratives of Western art history, specifically those related to modernism and African art, are considered in light of a climate of criticism concentrated over the past thirty years in Western and South African an historiography. In considering complexities of interpretation of the life and work of the African modernist painter, Ernest Mancoba, I address a perceived need for a critical discourse pertaining to early black South African modernist art. As a way of organising both my critique and contribution, I establish and use the thematic of distance. This work argues for greater consideration of individual motivation and circumstance in our understanding of early African modernist art production.
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institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:34:28.941Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/8203 On Distance: From art history to Ernest Mancoba Ralphs, SCT Godby, Michael Art Historical Studies In this thesis the central narratives of Western art history, specifically those related to modernism and African art, are considered in light of a climate of criticism concentrated over the past thirty years in Western and South African an historiography. In considering complexities of interpretation of the life and work of the African modernist painter, Ernest Mancoba, I address a perceived need for a critical discourse pertaining to early black South African modernist art. As a way of organising both my critique and contribution, I establish and use the thematic of distance. This work argues for greater consideration of individual motivation and circumstance in our understanding of early African modernist art production. 2014-10-06T12:10:50Z 2014-10-06T12:10:50Z 2007 Master Thesis Masters MA http://hdl.handle.net/11427/8203 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town
spellingShingle Art Historical Studies
Ralphs, SCT
On Distance: From art history to Ernest Mancoba
thesis_degree_str Master's
title On Distance: From art history to Ernest Mancoba
title_full On Distance: From art history to Ernest Mancoba
title_fullStr On Distance: From art history to Ernest Mancoba
title_full_unstemmed On Distance: From art history to Ernest Mancoba
title_short On Distance: From art history to Ernest Mancoba
title_sort on distance from art history to ernest mancoba
topic Art Historical Studies
url http://hdl.handle.net/11427/8203
work_keys_str_mv AT ralphssct ondistancefromarthistorytoernestmancoba