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Usurping architecture : sculptural resistance to the built environment

Includes bibliographical references (p. 70-71).

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Bibliographic Details
Main Author: Cilliers, Pieter Lafras
Other Authors: Younge, Gavin
Format: Thesis
Language:English
Published: Michaelis School of Fine Art 2014
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access_status_str Open Access
author Cilliers, Pieter Lafras
author2 Younge, Gavin
author_browse Cilliers, Pieter Lafras
Younge, Gavin
author_facet Younge, Gavin
Cilliers, Pieter Lafras
author_sort Cilliers, Pieter Lafras
collection Thesis
description Includes bibliographical references (p. 70-71).
format Thesis
id oai:open.uct.ac.za:11427/8206
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:50:39.748Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/8206 Usurping architecture : sculptural resistance to the built environment Cilliers, Pieter Lafras Younge, Gavin Fine Art Includes bibliographical references (p. 70-71). Usurping Architecture is a study in three parts. Part One explores the historical and theoretical basis that has informed my body of work. In this section, I explore the perfection of the depiction of the three-dimensional structure on a two-dimensional plane. This is specifically related to architecture. I then examine the role of geometric abstraction, as developed on the two-dimensional format, in sculptural strategies and their insertion in the lived, everyday environment.The role of geometric formalism is expanded on in the chapters on minimal art, where I explore the role of Gestalt psychology in creating a phenomenological response in the viewer. In the following chapters I indicate how the strategies employed by the minimal artists were used in subsequent decades as a response to the architectural environment. Part Two deals with the methodology related to my art-making processes. The first chapter of this section informs the reader about the general use of concrete as a material. The second chapter explains how I use this material in the construction of cast concrete sculptures. It describes the technical aspects of the process in detail. Part Three comprises a list of each work submitted for examination. The works are represented photographically and are accompanied by a short explanatory text. 2014-10-06T12:10:56Z 2014-10-06T12:10:56Z 2008 Master Thesis Masters MA http://hdl.handle.net/11427/8206 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town
spellingShingle Fine Art
Cilliers, Pieter Lafras
Usurping architecture : sculptural resistance to the built environment
thesis_degree_str Master's
title Usurping architecture : sculptural resistance to the built environment
title_full Usurping architecture : sculptural resistance to the built environment
title_fullStr Usurping architecture : sculptural resistance to the built environment
title_full_unstemmed Usurping architecture : sculptural resistance to the built environment
title_short Usurping architecture : sculptural resistance to the built environment
title_sort usurping architecture sculptural resistance to the built environment
topic Fine Art
url http://hdl.handle.net/11427/8206
work_keys_str_mv AT cillierspieterlafras usurpingarchitecturesculpturalresistancetothebuiltenvironment