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Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares

Includes abstract.

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Main Author: Kenall, Amye M
Format: Thesis
Language:English
Published: Department of English Language and Literature 2014
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access_status_str Open Access
author Kenall, Amye M
author_browse Kenall, Amye M
author_facet Kenall, Amye M
author_sort Kenall, Amye M
collection Thesis
description Includes abstract.
format Thesis
id oai:open.uct.ac.za:11427/8238
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:03.909Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/8238 Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares Kenall, Amye M English Language and Literature Includes abstract. Includes bibliographical references (p. 98-106). Using Gilles Deleuze's Baconian aesthetic theory to explore how feminism might rely on Deleuze's "becoming-woman" to express the feminine, this dissertation analyzes the expression of sexual violence-an experience gendered feminine-in Irvine Welsh's Marabou Stork Nightmares. I begin by establishing Welsh's work as what Deleuze terms a "minor literature". I argue, however, that it is largely the novel's visual nature (its acrobatic typography) that both establishes it as a minor literature and demands its exploration through Deleuze's text on painting rather than literature. Turning to Deleuze's study of Francis Bacon paintings in Francis Bacon: The Logic of Sensation, I explore the expression of sexual violence in Marabou Stork Nightmares through Deleuze's concept of becoming-woman. Put simply, this is a reading of a minor literature through Deleuze's Baconian lens. In doing so, this dissertation relies on an implicity connection between all the arts. An interdisciplinary endeavor, this project strives toward dismantling the illusory demarcations between the arts and toward reaffirming their interdependency. 2014-10-08T09:32:34Z 2014-10-08T09:32:34Z 2009 Master Thesis Masters MA http://hdl.handle.net/11427/8238 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Language and Literature
Kenall, Amye M
Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares
thesis_degree_str Master's
title Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares
title_full Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares
title_fullStr Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares
title_full_unstemmed Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares
title_short Tracing the line : a Deleuzian reading of Irvine Welsh's Marabou stork nightmares
title_sort tracing the line a deleuzian reading of irvine welsh s marabou stork nightmares
topic English Language and Literature
url http://hdl.handle.net/11427/8238
work_keys_str_mv AT kenallamyem tracingthelineadeleuzianreadingofirvinewelshsmaraboustorknightmares