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Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography
Includes bibliographical references (leaves 105-113).
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| Main Author: | |
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
College of Music
2014
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| _version_ | 1867613309908287488 |
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| access_status_str | Open Access |
| author | Sponheuer, Silke |
| author2 | Spiegel, Mugsy |
| author_browse | Spiegel, Mugsy Sponheuer, Silke |
| author_facet | Spiegel, Mugsy Sponheuer, Silke |
| author_sort | Sponheuer, Silke |
| collection | Thesis |
| description | Includes bibliographical references (leaves 105-113). |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/8251 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:34:06.076Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2014 |
| publishDateRange | 2014 |
| publishDateSort | 2014 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/8251 Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography Sponheuer, Silke Spiegel, Mugsy Choreography Includes bibliographical references (leaves 105-113). Eurythmy is an art of movement that expresses music and speech. This dissertation explores eurythmy's musical field, called tone-eurythmy, in its multifaceted appearances, background and within its philosophical context. Tone-eurythmy, carried out by performers moving in space and time, makes music visible. It transforms music into a new movement-art form, that of audible-visible music, by expressing musical components as well as the artistic intentions within a composition and those held by the performing artists. The dissertation examines how musical concepts are seen by eurythmists to integrate ideas of wholeness and to understand music as both audible and inaudible. It draws on studies and findings from music psychology to show distinct effects of musical elements on the human being, and to indicate the similarities between those and the qualitative expressions of music through tone-eurythmy. 2014-10-08T09:38:49Z 2014-10-08T09:38:49Z 2009 Master Thesis Masters MMus http://hdl.handle.net/11427/8251 eng application/pdf College of Music Faculty of Humanities University of Cape Town |
| spellingShingle | Choreography Sponheuer, Silke Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography |
| thesis_degree_str | Master's |
| title | Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography |
| title_full | Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography |
| title_fullStr | Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography |
| title_full_unstemmed | Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography |
| title_short | Music made visible in time and space : concepts of simultaneity in tone-eurythmy choreography |
| title_sort | music made visible in time and space concepts of simultaneity in tone eurythmy choreography |
| topic | Choreography |
| url | http://hdl.handle.net/11427/8251 |
| work_keys_str_mv | AT sponheuersilke musicmadevisibleintimeandspaceconceptsofsimultaneityintoneeurythmychoreography |