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Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa

Bibliography: leaves 80-88.

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Bibliographic Details
Main Author: Donne, Raffaella Delle
Other Authors: Chidester, David
Format: Thesis
Language:English
Published: Department of Religious Studies 2014
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access_status_str Open Access
author Donne, Raffaella Delle
author2 Chidester, David
author_browse Chidester, David
Donne, Raffaella Delle
author_facet Chidester, David
Donne, Raffaella Delle
author_sort Donne, Raffaella Delle
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description Bibliography: leaves 80-88.
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institution University of Cape Town (South Africa)
language eng
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
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publisher Department of Religious Studies
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spelling oai:open.uct.ac.za:11427/8608 Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa Donne, Raffaella Delle Chidester, David Religious Studies Bibliography: leaves 80-88. In a post-apartheid, recently democratised South Africa African identity is constantly being negotiated within the media, the political sphere, and a variety of cultural expressions. Firstly, I explore the ways in which the popular musical forms of Hip Hop, Kwaito and Reggae in South Africa are contributing to the forging of a global African identity which challenges Eurocentric conceptions but also inserts an implicit response into recent debates about the limitations of an essentialist, Afrocentric paradigm. Secondly, I argue that the construction of this identity can be located within an interpretative framework that examines how popular music is engaged in a kind of religious work. Historically, musical expressions emerging out of the diaspora as well as from the continent have been media for retaining and reformulating African religion and culture under conditions of extreme social upheaval. Scholars such as Jon Michael Spencer have argued that the religious aspect of black music is informed by the need to be liberated from an oppressed mentality and therefore liberation needs to be regarded as a religious activity, an alternative spirituality which challenges existing socio-political values. Musical expressions such as Hip Hop, Reggae and Kwaito can be understood as creative transpositions of indigenous African religion within the context of a worldview informed by the supernatural power of the spoken word, the production of a sacred sonic space, and the advancement of what Hip Hop scholar Nelson has referred to as a "combative spirituality." 2014-10-18T06:02:09Z 2014-10-18T06:02:09Z 2003 Master Thesis Masters MA http://hdl.handle.net/11427/8608 eng application/pdf Department of Religious Studies Faculty of Humanities University of Cape Town
spellingShingle Religious Studies
Donne, Raffaella Delle
Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa
thesis_degree_str Master's
title Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa
title_full Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa
title_fullStr Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa
title_full_unstemmed Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa
title_short Mapping the beat, beating the map : the religious work of Hip Hop, Reggae and Kwaito in South Africa
title_sort mapping the beat beating the map the religious work of hip hop reggae and kwaito in south africa
topic Religious Studies
url http://hdl.handle.net/11427/8608
work_keys_str_mv AT donneraffaelladelle mappingthebeatbeatingthemapthereligiousworkofhiphopreggaeandkwaitoinsouthafrica