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Stealing Empire : debates about global capital, counter-culture, technology and intellectual property
Includes bibliographical references (p. [223]-246).
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
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Centre for Film and Media Studies
2014
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| _version_ | 1867613258702127104 |
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| access_status_str | Open Access |
| author | Haupt, Adam |
| author2 | Stadler, Jane |
| author_browse | Haupt, Adam Stadler, Jane |
| author_facet | Stadler, Jane Haupt, Adam |
| author_sort | Haupt, Adam |
| collection | Thesis |
| description | Includes bibliographical references (p. [223]-246). |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/8646 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:33:17.409Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2014 |
| publishDateRange | 2014 |
| publishDateSort | 2014 |
| publisher | Centre for Film and Media Studies |
| publisherStr | Centre for Film and Media Studies |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/8646 Stealing Empire : debates about global capital, counter-culture, technology and intellectual property Haupt, Adam Stadler, Jane Film and Media Studies Includes bibliographical references (p. [223]-246). This thesis examines the agency of marginalised subjects in the context of global capitalism and the information age. The key question that is addressed is whether transnational corporations have appropriated aspects of cultural identity, creative expression and technological innovation for their own enrichment - to the detriment of civil society. Where this is the case, this thesis considers what opportunities exist for issuing challenges to the power of global corporations. Michael Hardt and Antonio Negri's concept of Empire provides the theoretical foundation for examining cultural, technological and legal conflicts between the interests of citizens and those of corporations. Hardt and Negri theorise the ways in which former imperial powers continue to extend their military, economic and political power in former colonies. The authors argue that former imperial powers no longer compete with each other for the same resources because they now co-operate with each other through multilateral organisations and trade agreements. Ultimately, the key beneficiaries of these modes of co-operation are global corporations that tend to monopolise the production and distribution of technological and cultural products at the expense of the public interest and the functioning of democracy. This work considers the possibilities of responding to Empire and resisting globalisation through strategies that employ some of the same decentralised, network-based techniques that benefit global corporate entities. Hardt and Negri's concept of 'the multitude' as a multiplicity of singularities makes sense of the diverse struggles under discussion in this study, providing the conceptual basis for possibilities of multiple engagements with Empire that are not reductive and that do not exclude certain interest groups. This is an interdisciplinary project that uses case studies to analyse the relationships between law and policy documents, technological development, and the production of cultural texts (such as hip-hop music). Specifically, this work explores the MP3 revolution and Napster (version one); digital sampling in hip-hop; hip-hop activism on South Africa's Cape Flats and these activists' use of new media in their pursuit of social justice. It addresses concerns about the commodification of youth culture as well as debates about intellectual property and the United States' use of trade agreements as enforcement mechanisms that serve the interests of its own corporations. This thesis presents an overview of copyright and trade agreements in order to examine the vested interests that underlie them. In keeping with the focus on globalisation and cultural imperialism, US legislation - such as the Digital Millennium Copyright Act - is discussed in relation to alternatives to proprietary approaches toward intellectual property, such as open source software and Creative Commons licenses. 2014-10-20T07:44:39Z 2014-10-20T07:44:39Z 2005 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/8646 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town |
| spellingShingle | Film and Media Studies Haupt, Adam Stealing Empire : debates about global capital, counter-culture, technology and intellectual property |
| thesis_degree_str | Doctoral |
| title | Stealing Empire : debates about global capital, counter-culture, technology and intellectual property |
| title_full | Stealing Empire : debates about global capital, counter-culture, technology and intellectual property |
| title_fullStr | Stealing Empire : debates about global capital, counter-culture, technology and intellectual property |
| title_full_unstemmed | Stealing Empire : debates about global capital, counter-culture, technology and intellectual property |
| title_short | Stealing Empire : debates about global capital, counter-culture, technology and intellectual property |
| title_sort | stealing empire debates about global capital counter culture technology and intellectual property |
| topic | Film and Media Studies |
| url | http://hdl.handle.net/11427/8646 |
| work_keys_str_mv | AT hauptadam stealingempiredebatesaboutglobalcapitalcounterculturetechnologyandintellectualproperty |