Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Double wounds: ecologies of trauma in Kivoshi Shigematsu’s “to next spring- Obon” and Osahon Ize- lyamu’s “more sea than tar”

Literature across cultures and nationalities has often taken a significant stance with ecoadvocacy. This study examines two short stories’ representation of cultural trauma exacerbated by the despoliation of the environment. Japanese Kivoshi Shigematsu’s “To Next Spring-Obon” and Nigerian Osahon Ize...

Full description

Saved in:
Bibliographic Details
Format: Article
Published: 2021
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!

MARC

LEADER 00000njm a2000000a 4500
001 oai:repository.ui.edu.ng:123456789/10474
042 |a dc 
720 |a Ajibola, O.  |e author 
260 |c 2021 
520 |a Literature across cultures and nationalities has often taken a significant stance with ecoadvocacy. This study examines two short stories’ representation of cultural trauma exacerbated by the despoliation of the environment. Japanese Kivoshi Shigematsu’s “To Next Spring-Obon” and Nigerian Osahon Ize-Iyamu’s “More Sea Than Tar”, are chosen for their thematic convergence and topicality. Both stories are comparatively engaged through the trauma theory and ecocriticism, to investigate the stories’ recreation of personal as well as collective suffering tangled up with the larger tragedies occasioned by industrialization, modernity and most of all, environmental crises. The texts depict the environment and man as subjects that occupy oscillating positions between perpetrator and victim. The activities of man wound the environment and the environment responds by afflicting man, thereby causing traumatic disruptions that affect not just the present but the past and the future. In both texts, nature is a tower and a threat and man, a culprit cum casualty. In the aftermath of ecological catastrophes - the 3/11 in Shigematsu’s “To Next Spring- Obon” and a fictional tsunami in Ize-Iyamu’s “More Sea Than Tar”, man suffers spiritual and social degeneration, whose scars both stories serve to bear witness to. 
024 8 |a 2735-9662 
024 8 |a ui_art_ajibola_double_2021 
024 8 |a Studies in Transnational Africa and Japan 4, pp. 132-150 
024 8 |a https://repository.ui.edu.ng/handle/123456789/10474 
653 |a Eco-trauma 
653 |a Trauma theory 
653 |a Kiyoshi Shigematsu 
653 |a Osahon Ize-lyamu 
245 0 0 |a Double wounds: ecologies of trauma in Kivoshi Shigematsu’s “to next spring- Obon” and Osahon Ize- lyamu’s “more sea than tar”