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MADḤ genre in Africa: an Incursion into Ibn nafi’s supplicatory panegyrics to his sufi mentor, Shaykh Salahudeen Pelewura

This article explores the place of madḥ amidst other traditional Arabic poetic themes in Africa with particular reference to Ibn Nafi‘ panegyric ode on his sūfi mentor. It analyses the salient poetic features of supplicatory panegyric in Nigeria and the extent of its patronage by Yoruba ‘Ulamā. The...

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Published: 2018-04
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LEADER 00000njm a2000000a 4500
001 oai:repository.ui.edu.ng:123456789/10977
042 |a dc 
720 |a Ibrahim, L. A.  |e author 
260 |c 2018-04 
520 |a This article explores the place of madḥ amidst other traditional Arabic poetic themes in Africa with particular reference to Ibn Nafi‘ panegyric ode on his sūfi mentor. It analyses the salient poetic features of supplicatory panegyric in Nigeria and the extent of its patronage by Yoruba ‘Ulamā. The study proceeds to chronicle the genesis of the fraternity between the poet and his patron. Analysing the structural pattern adopted for the composition, the author discovers that the poem is triggered not only by spiritual impulse but also betrothal connection between the author and his patron. 
024 8 |a 1857-7881 
024 8 |a 1857-7431 
024 8 |a European Scientific Journal 14(11), pp. 96-102 
024 8 |a ui_art_ameen_madh_2018 
024 8 |a Doi: 10.19044/esj.2018.v14n11p96 
024 8 |a https://repository.ui.edu.ng/handle/123456789/10977 
245 0 0 |a MADḤ genre in Africa: an Incursion into Ibn nafi’s supplicatory panegyrics to his sufi mentor, Shaykh Salahudeen Pelewura